Plasmatic and Metamorphic Movement: The Materiality of the Moving Idea

IF 0.3 2区 艺术学 0 FILM, RADIO, TELEVISION
K. Ray
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引用次数: 0

Abstract

In this article, the author proposes that both substance and process philosophy inadequately address the ‘plasmatic’ and metamorphic movement (PMM) of early animation since it subverts the logic of the ‘cinematographic illusion’. Cognition, which is apparently dependent on identity formation, is predicated on substance, which conforms to representational thought. PMM, which is predicated on the ‘fluid’ linkage of images, destabilizes substance, consequently problematizing representation by introducing conflict between speculative substance predicated on form and perceived materiality from movement. A different problem appears with process philosophy privileging continuing flux that cannot logically be based on identity formation as it resists predication. Yet, cognition is possible as process is speculative and substance is manifest. PMM, as a manifest process that dematerializes substance, ungrounds the basis of both philosophies, simultaneously highlighting their complementarity. By problematizing both, PMM is able to highlight the relational and dependently originated nature of thought.
等离子与变形运动:运动理念的物质性
在这篇文章中,作者提出,物质哲学和过程哲学都没有充分解决早期动画的“等离子”和变形运动(PMM),因为它颠覆了“电影错觉”的逻辑。认知显然依赖于同一性的形成,但它以实体为前提,符合表征思维。PMM以图像的“流动”联系为基础,破坏了物质的稳定,从而通过引入基于形式的推测性物质与从运动中感知到的物质之间的冲突,使表征出现问题。一个不同的问题出现在过程哲学中,它赋予持续的流动特权,这种流动不能在逻辑上基于身份形成,因为它拒绝预测。然而,认识是可能的,因为过程是思辨的,实体是显现的。PMM作为一种物质去物质化的明显过程,奠定了两种哲学的基础,同时突出了它们的互补性。通过将两者问题化,PMM能够突出思维的关系性和依赖性。
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来源期刊
Animation-An Interdisciplinary Journal
Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
25.00%
发文量
19
期刊介绍: Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
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