{"title":"Colon + Hyphen + Right Paren: At the Origins of Face Semiotics from Smileys to Memes","authors":"Gabriele Marino","doi":"10.1086/717560","DOIUrl":null,"url":null,"abstract":"The article engages with the semiotics of “stylized faces” in online communication, focusing on “smileys.” It reconstructs the origins of both emoticons and emojis, outlining how they differ functionally (paralinguistic signs vs. narrative figures) and commenting on their pragmatics, with regard to the issue of literacy as related to generational fruition. A chronology is provided of the first tokens of smileys in written communication, both before and after the Internet. By relying upon the anthropology of the face dating back to prehistory, the issues of iconism and universality are discussed, supporting the view that there is a strong cultural, conventional component in face depiction, varying diachronically (emoticons versus emojis) and diatopically (emoticons versus kaomojis, i.e., Japanese emoticons). Emoticons and emojis are regarded as prominent examples of intermedia, working at the intersection of written word and image. Finally, stylized digital faces are set in the broader framework of Internet memes, thus discussing the dichotomy between structural memes (the focus is on the formula) and iconic memes (the focus is on the image and, thus, the face). Throughout the text, great care is devoted to the philology of sources, some of them being presented in this form for the first time.","PeriodicalId":51908,"journal":{"name":"Signs and Society","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signs and Society","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1086/717560","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 1
Abstract
The article engages with the semiotics of “stylized faces” in online communication, focusing on “smileys.” It reconstructs the origins of both emoticons and emojis, outlining how they differ functionally (paralinguistic signs vs. narrative figures) and commenting on their pragmatics, with regard to the issue of literacy as related to generational fruition. A chronology is provided of the first tokens of smileys in written communication, both before and after the Internet. By relying upon the anthropology of the face dating back to prehistory, the issues of iconism and universality are discussed, supporting the view that there is a strong cultural, conventional component in face depiction, varying diachronically (emoticons versus emojis) and diatopically (emoticons versus kaomojis, i.e., Japanese emoticons). Emoticons and emojis are regarded as prominent examples of intermedia, working at the intersection of written word and image. Finally, stylized digital faces are set in the broader framework of Internet memes, thus discussing the dichotomy between structural memes (the focus is on the formula) and iconic memes (the focus is on the image and, thus, the face). Throughout the text, great care is devoted to the philology of sources, some of them being presented in this form for the first time.
这篇文章探讨了在线交流中“程式化面孔”的符号学,重点是“笑脸”。它重构了表情符号和表情符号的起源,概述了它们在功能上的区别(副语言符号与叙事符号),并就与代际成果相关的识字问题评论了它们的语用学。在互联网之前和之后的书面交流中,提供了笑脸符号的第一个符号的年表。通过对史前面孔的人类学研究,本文讨论了象征主义和普遍性问题,支持以下观点:在面部描绘中存在强烈的文化传统成分,这些成分在历时上(emoticon vs emojis)和历时上(emoticon vs kaomojis,即日本的表情符号)存在差异。表情符号和表情符号被认为是中间媒体的突出例子,是文字和图像的交汇点。最后,将程式化的数字面孔置于更广泛的网络模因框架中,从而讨论了结构性模因(关注公式)和标志性模因(关注图像,因此关注面孔)之间的二分法。在整个文本中,非常小心地致力于来源的语言学,其中一些是第一次以这种形式呈现。