Silent Narrative

Abstract

In this article, I describe my public history project seeking to transform a street in Connaught Place, New Delhi, into a militarised Srinagar marketplace. Through this phenomenological project, I aim to make Hindu, middle- class, upper-middle-caste Indians realise that the Indian presence in the Kashmir Valley is a colonial, military occupation. Through this, I want them to reconsider India’s claims of being a secular, liberal-democracy. To contextualise my intervention, I briefly represent the mainstream Indian narrative on Kashmir, both in academia and the wider public space, in the first section of this article. Thus, by highlighting the ‘silences’ in the general understanding of Kashmir, I will demonstrate my project’s contribution to Kashmir’s historiography. KEYWORDScolonialism; exhibit; phenomenology; India-Occupied Kashmir; historiography; Museum