{"title":"Ecomedia in the Wild: Camera Traps, Geiger Counters, and Radioactive Boars","authors":"D. O'Neill","doi":"10.1086/723627","DOIUrl":null,"url":null,"abstract":"This article traces the emergence of ecomedia in Japan’s nuclear exclusion zone. I take this emergence as an opportunity to think through the relations of sensing technologies and animals as well as the transformative potential of these relations for critical thought. I turn to the camera trap and the Geiger counter first to understand how these sensor-based media are used to generate data around environmental inquiry as well as how they may be reassembled to help us take measure of the aftereffects of the 3.11 disasters through and with located relationships and encounters among species, human and nonhuman. By exploring how ecomedia invite nonhuman makings to enter the analytical frame, I hope to arrive at an understanding of environmental harm not as a futurological threat but as an ongoing event that calls for new forms of agentic thinking and enactments of multispecies struggle and collaboration.","PeriodicalId":48130,"journal":{"name":"Critical Inquiry","volume":"49 1","pages":"337 - 358"},"PeriodicalIF":2.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Inquiry","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1086/723627","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
This article traces the emergence of ecomedia in Japan’s nuclear exclusion zone. I take this emergence as an opportunity to think through the relations of sensing technologies and animals as well as the transformative potential of these relations for critical thought. I turn to the camera trap and the Geiger counter first to understand how these sensor-based media are used to generate data around environmental inquiry as well as how they may be reassembled to help us take measure of the aftereffects of the 3.11 disasters through and with located relationships and encounters among species, human and nonhuman. By exploring how ecomedia invite nonhuman makings to enter the analytical frame, I hope to arrive at an understanding of environmental harm not as a futurological threat but as an ongoing event that calls for new forms of agentic thinking and enactments of multispecies struggle and collaboration.
期刊介绍:
Critical Inquiry has published the best critical thought in the arts and humanities since 1974. Combining a commitment to rigorous scholarship with a vital concern for dialogue and debate, the journal presents articles by eminent critics, scholars, and artists on a wide variety of issues central to contemporary criticism and culture. In CI new ideas and reconsideration of those traditional in criticism and culture are granted a voice. The wide interdisciplinary focus creates surprising juxtapositions and linkages of concepts, offering new grounds for theoretical debate. In CI, authors entertain and challenge while illuminating such issues as improvisations, the life of things, Flaubert, and early modern women"s writing.