Iconoclasm and/as repair

Q1 Arts and Humanities

Res: Anthropology and Aesthetics Pub Date : 2021-01-01 DOI:10.1086/716674

Sean V. Leatherbury

引用次数: 0

Abstract

of Chicago Press for the 1. See, e.g., D. Freed Iconoclasm,” in Iconocla 1977), 165–77; more ge (Chicago, 1989), esp. 99 2. Begun already by Iconoclastic Controversy more recently, L. Brubak Era, c. 680–850 (Cambri extent of image destructi of the material impact o Iconophobia and Iconoc Iconoclasm and Text De ed. N. N. May (Chicago 3. C. Barber, Figure in Byzantine Iconoclasm “What Was the Iconocla (1976): 16–31; J. Pelikan (New Haven, CT, 1990) Iconoclasm and/as repair

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偶像破坏和/或修复

芝加哥出版社。例如，参见D.Freed Iconoclasm，“在Iconocla 1977），165–77；更多的ge（芝加哥，1989），尤其是992。最近，L.Brubak Era，约680–850（Cambri的图像破坏程度对恐像症的物质影响和Iconoc Iconoclasm and Text De ed.N.N.May（芝加哥3。C.Barber，拜占庭标志性建筑中的人物“标志性建筑是什么（1976）：16-31；J.Pelikan（康涅狄格州纽黑文，1990）标志性建筑和/或修复

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来源期刊

Res: Anthropology and Aesthetics Arts and Humanities-Visual Arts and Performing Arts

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期刊介绍： Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also seeks to make available textual and iconographic documents of importance for the history and theory of the arts.