‘Quietismus Sacer’ – Engaging Religious Adversaries

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY

Zutot Pub Date : 2019-03-14 DOI:10.1163/18750214-12161003

Kristian Mejrup

引用次数: 0

Abstract

This essay explores a critical reaction to the turbulence born out of the debate on Quietism at the end of the 17th century. Caspar Exner (1627–1704), a minister and subscriber to Lutheran Orthodoxy, wrote a report in 1689 on the recent outburst of what in his view was misleading theological assumptions. His refutation of so-called false doctrines turned out to be an ambiguous road for engaging religious adversaries. Urged to assess a specific and contested topic, Exner developed a method that confronted religious renewal in general. It is the aim of this essay to demonstrate how rectification was a means for appropriating and moderating contested ideas and surpassing confessional boundaries.

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本文探讨了对17世纪末关于安静主义的争论所产生的动荡的批判性反应。卡斯帕·埃克斯纳（1627-1704）是一位牧师，也是路德会正统派的信徒，他在1689年写了一份报告，讲述了他认为误导性神学假设的最近爆发。事实证明，他对所谓虚假教义的驳斥是与宗教对手交战的一条模棱两可的道路。埃克斯纳被敦促评估一个具体的、有争议的话题，他开发了一种应对宗教复兴的方法。本文的目的是证明整风是如何挪用和调和有争议的思想并超越忏悔界限的一种手段。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Zutot HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Zutot: Perspectives on Jewish Culture aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. Whereas existing journals provide space to medium and large sized articles, they neglect the small but poignant contributions, which may be as important as the extended, detailed study. The Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions. The Zutot covers Jewish culture in its broadest sense, i.e. encompassing various academic disciplines—literature, languages and linguistics, philosophy, art, sociology, politics and history—and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.