Managing hysteria: Exploring the writer’s voice through verbatim work

Abstract

Dr Craig Jordan-Baker is joint course leader for English Literature and Creative Writing BA (Hons) at the University of Brighton. He has a broad academic background, having studied creative writing, English literature and philosophy. He has diverse research interests, including creative writing theory, literary criticism and the history of linguistics. He is currently working on a monograph provisionally entitled Creative Writing: Reading, Writing and Understanding , which considers how aesthetic cognitivism can be applied to accounts of writing craft. Craig is also a writer and critic, whose plays have been performed widely in the United Kingdom. He has published numerous pieces of short fiction in publications such as New Writing, Epoque, TEXT and Potluck. Abstract Verbatim work places a premium on the invisibility of the artist. This is in tension to Neo-Romantic conceptions of the ‘writer’s voice’, often characterized as the expression of the sovereign individual. Such a tension raises the question of to what extent an expression of self is desirable and what we can learn about artistic voice in verbatim work. This article discusses such questions through the lens of a commission to creatively respond to the National Archive’s material on mental health. This resulted in a piece of ‘contrapuntal radio’ that dramatized the voices of militant suffragettes (c. 1907–14). By consideration of the process of production, the article will argue that often, considerations of self -expression (where the artist is a unique voice transmitting their individuality), threatens a more productive self- expression , where an artist is a disinterested expresser of human feeling. be caused by a dysfunction of the uterus. With abstract noun ending -ia. General sense of ‘unhealthy emotion or excitement’ is by 1839 (online).