Critical Approaches Towards (A New) Arts Education

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
C. Martins, P. Alves
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引用次数: 1

Abstract

Arts education still strives to claim its specificity and equal relevance comparing to other kinds of knowledge. There remains an idea that arts are powerful transformative agents, but neoliberalism tends to put economic utility and usage as principles that capture art under the great jargons of creativity, cultural industries, or flexibility. Today, it is necessary to question the very concept and status that arts, but also education, built from European perspectives, aligned with colonial practices, the building of nations, identity constructions and a culture of taste, under a universalist idea of civilization and progress. Thus, in this JSTA special issue we aim to question how to critically build a place and status for arts education which does not assume for itself, from the outset, a privileged or exceptional place, which does not reproduce the hegemonic power relations it seeks to criticize, and which stimulates change instead of accommodation and homogenization.
对(一种新的)艺术教育的批判方法
与其他类型的知识相比,艺术教育仍然努力主张其特殊性和同等的相关性。仍然有一种观点认为艺术是强大的变革媒介,但新自由主义倾向于将经济效用和使用作为原则,将艺术置于创造力、文化产业或灵活性的伟大术语之下。今天,有必要质疑艺术和教育的概念和地位,这些概念和地位是从欧洲的角度建立起来的,与殖民实践、国家建设、身份建构和品味文化相一致,在文明和进步的普遍主义思想下。因此,在这一期JSTA特刊中,我们的目标是质疑如何批判性地为艺术教育建立一个地方和地位,这个地方和地位从一开始就不假设自己是一个特权或特殊的地方,它不复制它试图批评的霸权关系,它刺激变化而不是适应和同质化。
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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