The last god: lightning of turning in Heidegger

IF 1.5 Q1 CULTURAL STUDIES

Journal for Cultural Research Pub Date : 2022-10-02 DOI:10.1080/14797585.2022.2154936

Jacob W. Glazier

引用次数: 0

Abstract

ABSTRACT I explore Martin Heidegger’s figure of the last god found in his middle period of thinking from 1936–1939 centring my analysis on Contributions to Philosophy: Of the Event (Beiträge) and how this conception is messianic in nature. The last god is a particular instantiation of a being among beings rather than representing a literary or philosophical structure that lies ahead in the future. I emphasise the notion of the turning that occurs within Ereignis, a revived playfulness, wherein the lightning-flash (das Blitzen) appears as a trace or guide towards a new beginning. I conclude by investigating the historical and cultural ramifications that the arrival of the last god would have.

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最后的神:海德格尔笔下的转弯的闪电

本文以对《哲学的贡献:事件》(Beiträge)的分析为中心，探讨了马丁·海德格尔1936-1939年思想中期的最后上帝形象，以及这个概念本质上是如何弥赛亚的。最后一个神是众生中存在的一个特殊实例，而不是代表未来的文学或哲学结构。我强调转折的概念，它发生在《Ereignis》中，是一种复兴的嬉戏，其中闪电(das Blitzen)作为一个新的开始的痕迹或向导出现。最后，我将调查最后一位神的到来所带来的历史和文化后果。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal for Cultural Research CULTURAL STUDIES-

CiteScore

1.40

自引率

0.00%

发文量

期刊介绍： JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.

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