Female Figures in Chinese Qing Dynasty Armor Art

Wenxi Wu, Xinhou Wang
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引用次数: 0

Abstract

In ancient China, traditional costumes have an important function of marking the identity of the noble and commoner status hierarchy. Before modern times, the shape, fabric, and color of folk women's clothing were not clearly defined, but they were subject to folklore and had many taboos.  The wives of ministers or members of royalty were expected to comport themselves according to their husbands' official status and were forbidden from breaking any restrictions. But in the visual archives of the last feudal dynasty of ancient China, we have astonishing discoveries about the new image of Chinese women in the Qing Dynasty — Artworks of Qing Dynasty women in armor, their historical background, and artistic qualities bring us a lot of unprecedented inspiration and reflection. Based on the textual research on the hierarchical system of armor in the Qing Dynasty, combined with the background of national culture, this paper analyzes that the appearance of the image of female armor in the Qing Dynasty is a politicized performance of the ruling class, and its essence is still the projection of the aesthetic interest of feudal patriarchy.
中国清代盔甲艺术中的女性形象
在中国古代,传统服饰具有重要的功能,标志着贵族和平民身份等级的认同。在近代以前,民间妇女服装的形状、面料和颜色都没有明确的定义,但它们受制于民间传说,有许多禁忌。大臣或皇室成员的妻子应根据丈夫的官方身份行事,并被禁止违反任何限制。但在中国古代最后一个封建王朝的视觉档案中,我们对中国清代女性的新形象有着惊人的发现——清代穿甲女性的艺术作品,她们的历史背景和艺术品质给我们带来了前所未有的启发和反思。本文通过对清代铠甲等级制度的考证,结合民族文化背景,分析清代女性铠甲形象的出现是统治阶级的政治化表现,其本质仍然是封建父权制审美趣味的投射。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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