{"title":"Education and female agency in the garden: ”: Doris lessing’s “flavours of exile","authors":"C. Navarro","doi":"10.26754/OJS_MISC/MJ.20215872","DOIUrl":null,"url":null,"abstract":"espanolLa reciente celebracion del centenario de Doris Lessing ha supuesto la oportunidad de dedicar nuevas miradas a su obra. Esto es asi con respecto a las aportaciones criticas existentes sobre el interes de Lessing por la educacion (Cairnie 2008; Sperlinger 2017), sobre todo en ninos y ninas en procesos de transicion hacia la adolescencia. Este articulo muestra que, para Lessing, dicho interes es constante y se observa a lo largo de su obra, tanto de ficcion como de no ficcion. Tomando el corpus de los relatos africanos como marco principal de referencia, este articulo estudia “Flavours of Exile” (1957), un relato donde el huerto familiar se transforma en espacio informal de experimentacion, y es para Lessing un vehiculo para dar paso a sus preocupaciones por la educacion del sujeto femenino en un contexto historico de descolonizacion. EnglishDoris Lessing’s recent centenary brought opportunities to look at her works with fresh eyes. This is also the case with Lessing’s interest in education (Cairnie 2008; Sperlinger 2017), especially that of children in their transition to youth. This paper argues that this was an interest with which Lessing consistently concerned herself in both her fiction and non-fiction writings. Using the corpus of her African short stories as a primary reference framework, this paper studies “Flavours of Exile” (1957), a short story in which a family’s vegetable garden becomes a learning space for informal experimentation. The story is used by Lessing as a platform to raise her concerns about the education of the female subject in the historical context of decolonisation","PeriodicalId":35132,"journal":{"name":"Miscelanea","volume":"63 1","pages":"57-75"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Miscelanea","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26754/OJS_MISC/MJ.20215872","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
espanolLa reciente celebracion del centenario de Doris Lessing ha supuesto la oportunidad de dedicar nuevas miradas a su obra. Esto es asi con respecto a las aportaciones criticas existentes sobre el interes de Lessing por la educacion (Cairnie 2008; Sperlinger 2017), sobre todo en ninos y ninas en procesos de transicion hacia la adolescencia. Este articulo muestra que, para Lessing, dicho interes es constante y se observa a lo largo de su obra, tanto de ficcion como de no ficcion. Tomando el corpus de los relatos africanos como marco principal de referencia, este articulo estudia “Flavours of Exile” (1957), un relato donde el huerto familiar se transforma en espacio informal de experimentacion, y es para Lessing un vehiculo para dar paso a sus preocupaciones por la educacion del sujeto femenino en un contexto historico de descolonizacion. EnglishDoris Lessing’s recent centenary brought opportunities to look at her works with fresh eyes. This is also the case with Lessing’s interest in education (Cairnie 2008; Sperlinger 2017), especially that of children in their transition to youth. This paper argues that this was an interest with which Lessing consistently concerned herself in both her fiction and non-fiction writings. Using the corpus of her African short stories as a primary reference framework, this paper studies “Flavours of Exile” (1957), a short story in which a family’s vegetable garden becomes a learning space for informal experimentation. The story is used by Lessing as a platform to raise her concerns about the education of the female subject in the historical context of decolonisation
最近的多丽丝·莱辛百年庆典为她的作品提供了一个新的视角。关于莱辛对教育的兴趣的批判性贡献也是如此(Cairnie 2008;Sperlinger 2017),特别是在向青春期过渡的儿童中。在他的作品中,有一种强烈的兴趣,那就是在他的作品中,在他的作品中,在他的作品中,在他的作品中,在他的作品中,在他的作品中,在他的作品中,在他的作品中,在他的作品中。非洲采取的故事作为参考,这篇研究”的主要框架Flavours of聊天”(1957年),讲述家庭果园里转化成experimentacion非正式空间,和是为Lessing车辆、飞机和给其关切的主题教育的历史背景下女性descolonizacion。多丽丝·莱辛最近的百年纪念为她的作品带来了新的视角。莱辛对教育的兴趣也是如此(Cairnie 2008;Sperlinger 2017),特别是关于儿童向青年过渡的问题。This paper argues that This was an interest with which Lessing有关贯彻herself in both她低俗小说和non-fiction the end。本文以她的非洲短篇小说文集作为主要参考框架,研究了《流亡的味道》(1957),这是一部短篇小说,其中家庭菜园成为非正式实验的学习空间。莱辛利用这个故事作为一个平台,在非殖民化的历史背景下提高她对女性主体教育的关注。