Out of the Shadows

IF 0.3 2区艺术学 0 ART

American Art Pub Date : 2020-09-01 DOI:10.1086/712746

Dimitrios Latsis

引用次数: 0

Abstract

From the early days of video art in the 1960s and 1970s to the networked museum of today, the Smithsonian American Art Museum’s attitude toward the moving image has reflected and, in turn, influenced the expansion of the American art canon within universities, grant-making bodies, and the public’s perception of contemporary creative expression in the United States. In this paper I will trace film, video, and digital media as a focus of scholarship in SAAM’s academic programs, as well as the ways in which it intersects with the museum’s own investment in new media by the establishment of relevant curatorial positions and landmark acquisitions (e.g., the Nam June Paik Archive).

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出自阴影

从20世纪60年代和70年代早期的视频艺术到今天的网络化博物馆，史密森尼美国艺术博物馆对动态图像的态度反映并反过来影响了美国艺术经典在大学、拨款机构和公众对美国当代创造性表达的看法中的扩展。在本文中，我将追溯电影、视频和数字媒体作为SAAM学术项目的学术重点，以及通过建立相关策展职位和里程碑式收购(例如白南准档案)，它与博物馆自身在新媒体方面的投资的交叉方式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

American Art ART-

CiteScore

0.20

自引率

50.00%

发文量

期刊介绍： American Art is a peer-reviewed journal dedicated to exploring all aspects of the nation"s visual heritage from colonial to contemporary times. Through a broad interdisciplinary approach, American Art provides an understanding not only of specific artists and art objects, but also of the cultural factors that have shaped American art over three centuries of national experience. The fine arts are the journal"s primary focus, but its scope encompasses all aspects of the nation"s visual culture, including popular culture, public art, film, electronic multimedia, and decorative arts and crafts. American Art embraces all methods of investigation to explore America·s rich and diverse artistic legacy, from traditional formalism to analyses of social context.