Revolutionary America from Concord and Lexington to Ferguson: Folk Transmediation of Historical Storytelling

IF 0.8 0 HUMANITIES, MULTIDISCIPLINARY

Narrative Culture Pub Date : 2020-01-02 DOI:10.13110/NARRCULT.6.2.0140

A. Kustritz

引用次数: 1

Abstract

Abstract:Examining nonfiction remix demonstrates fandom's role in helping maintain a lively public engagement with history. By rewriting and remixing the life of Alexander Hamilton, the AIDS epidemic, and the African American civil rights movement, professional and amateur artists create a living "history of the present," excavate the genealogy of modern problems, and intervene in contemporary political storytelling by writing a new version of the foundational national past. As a result, transmedia with roots in the public domain offers an important curb against the encroaching media industry and facilitates folk creativity and civic interchange in a shared symbolic language.

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从康科德、列克星敦到弗格森的革命美国：历史故事的民间中介

摘要：研究非虚构作品的混音展示了粉丝在帮助公众保持活跃的历史参与方面的作用。通过改写和重新组合亚历山大·汉密尔顿的生活、艾滋病疫情和非裔美国人民权运动，专业和业余艺术家创造了一部活的“当下历史”，挖掘了现代问题的谱系，并通过书写一个新版本的基本国家历史来干预当代政治故事。因此，植根于公共领域的跨媒体提供了一个重要的遏制手段，以一种共同的象征语言促进了民间创造力和公民交流。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Narrative Culture HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Narrative Culture is a new journal that conceptualizes narration as a broad and pervasive human practice, warranting a holistic perspective that grasps the place of narrative comparatively across time and space. The journal invites contributions that document, discuss and theorize narrative culture, and offers a platform that integrates approaches spread across various disciplines. The field of narrative culture thus outlined is defined by a large variety of forms of popular narratives, including not only oral and written texts, but also narratives in images, three-dimensional art, customs, rituals, drama, dance, music, and so forth. Narrative Culture is peer-reviewed and international as well as interdisciplinary in orientation.