CONSUMPTIVISM IN THE GENDER ROLE IN NI NYOMAN SANI’S WORKS OF ART

Luh Suartini, Hardiman .
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引用次数: 0

Abstract

All this time in visual art in Bali a woman has often been placed as an object per se.Actually, in the visual work of women artists in Bali there is found an ideology that worksbehind it. This article reveals and describes the gender ideology that works behind thevisual representation of Ni Nyoman Sani that is why a descriptive qualitative study is usedby using postmodernism theory, visual semiotic theory, gender theory, ideology theory,and psychoanalysis theory to reveal the problem. This article concludes that the genderideology works behind Ni Nyoman Sani’s work, that is, concerning the consumptivism ofthe gender role in its use. It is hoped that this discussion can give us a broader and deeperunderstanding of the gender ideology that works behind Ni Nyoman Sani’s creativeprocess. Keywords: consumptivism, gender role, ni nyoman sani.
消费主义在尼诺曼·萨尼艺术作品中的性别角色
一直以来,在巴厘岛的视觉艺术中,女性往往被视为一种对象本身。实际上,在巴厘岛女性艺术家的视觉作品中,有一种意识形态在背后起作用。本文揭示和描述了倪诺曼·萨尼视觉表现背后的性别意识形态,这就是为什么使用描述性定性研究,运用后现代主义理论、视觉符号学理论、性别理论、意识形态理论和精神分析理论来揭示问题。本文认为,性别意识形态在倪诺曼·萨尼的作品背后起着作用,即性别角色在其使用中的消费主义。希望通过这一讨论,我们能够更广泛、更深入地理解倪诺曼·萨尼创作过程背后的性别意识形态。关键词:消费主义,性别角色,男女恋。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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