{"title":"The fragmented interior: decomposition of the interior of the Generale Bank and its afterlife","authors":"B. Plevoets","doi":"10.1080/20419112.2022.2051870","DOIUrl":null,"url":null,"abstract":"This article reflects upon the practice of material reuse in contemporary interior design through a case study of the decomposition of the interiors of the Generale Bank in Brussels and the reuse of its fragments in new projects. Three research questions steered the analysis: How were the fragments of the interiors of the Generale Bank preserved and reused? Can the decomposition of historic interiors and the reuse of their fragments be a valuable strategy for their conservation? How does the meaning of the fragment shift in its new context? The first part of the paper presents documentation and critical reflection on the process of decomposition and reuse of the fragments of the Generale Bank. The second part includes a more general discussion of the comparison between modern forms of material reuse and the ancient practice of spolia and considers the potential and pitfalls of reusing fragments as a method for the preservation of historic interiors. The conclusion elaborates on the meaning of the fragment in a new ensemble.","PeriodicalId":41420,"journal":{"name":"Interiors-Design Architecture Culture","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interiors-Design Architecture Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20419112.2022.2051870","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
This article reflects upon the practice of material reuse in contemporary interior design through a case study of the decomposition of the interiors of the Generale Bank in Brussels and the reuse of its fragments in new projects. Three research questions steered the analysis: How were the fragments of the interiors of the Generale Bank preserved and reused? Can the decomposition of historic interiors and the reuse of their fragments be a valuable strategy for their conservation? How does the meaning of the fragment shift in its new context? The first part of the paper presents documentation and critical reflection on the process of decomposition and reuse of the fragments of the Generale Bank. The second part includes a more general discussion of the comparison between modern forms of material reuse and the ancient practice of spolia and considers the potential and pitfalls of reusing fragments as a method for the preservation of historic interiors. The conclusion elaborates on the meaning of the fragment in a new ensemble.