German surveillance of the Swedish film market during World War II

IF 0.1 0 FILM, RADIO, TELEVISION

Journal of Scandinavian Cinema Pub Date : 2019-09-01 DOI:10.1386/jsca_00008_1

E. Stjernholm

引用次数: 1

Abstract

This article approaches the subject of German film policy in Sweden during World War II from a new perspective. While several film scholars have mapped the connections between the German and Swedish film industries in the past, less is known about the German surveillance of Swedish film criticism, Swedish cinema audiences and Allied newsreel competitors. Drawing on previously overlooked archival material from the German film company Ufa’s Swedish subsidiary, digital newspaper archives and previous research on German film strategies abroad, this article offers new insights into the ways Ufa monitored the film market in neutral Sweden.

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第二次世界大战期间德国对瑞典电影市场的监视

本文从一个新的视角来探讨二战期间德国在瑞典的电影政策。虽然有几位电影学者在过去绘制了德国和瑞典电影工业之间的联系，但人们对德国对瑞典电影评论、瑞典电影观众和盟军新闻影片竞争对手的监视知之甚少。本文利用德国电影公司Ufa瑞典子公司以前被忽视的档案材料、数字报纸档案和以前对德国电影海外战略的研究，为Ufa在中立的瑞典监控电影市场的方式提供了新的见解。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.