Faculty-Student Collaborative: Selma Riemenschneider and the Baldwin Wallace Bach Heritage

IF 0.1 4区 艺术学 0 MUSIC
BACH Pub Date : 2022-05-03 DOI:10.1353/bach.2022.0003
Danielle M. Kuntz
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引用次数: 0

Abstract

The Baldwin Wallace (BW) Bach Festival, established in 1933 and now the oldest collegiate Bach Festival in the United States, rose to national prominence under the artistic guidance of Albert Riemenschneider, festival director until his death in 1950. What little scholarship exists on the BW Bach Festival is, expectedly, a male-focused narrative of BW’s Bach heritage—the study and performance of J. S. Bach’s music under the leadership of a series of male artistic directors, from the establishment of the festival under Albert in the early twentieth century to the present day. As steward to the BW Bach heritage in my position as Riemenschneider Bach Institute (RBI) scholar-in-residence, I have worked closely with the historical documents related to the BW Bach Festival.
师生合作:塞尔玛·里门施奈德和鲍德温·华莱士巴赫遗产
鲍德温华莱士巴赫音乐节(BW)成立于1933年,是美国历史最悠久的大学巴赫音乐节,在音乐节总监阿尔伯特·莱门施耐德(Albert Riemenschneider)的艺术指导下,在1950年去世之前,巴赫音乐节在全国范围内取得了卓越的成就。BW巴赫音乐节上所存在的少量学术研究,可以预料的是,是以男性为中心的对BW巴赫遗产的叙述——从20世纪初艾伯特领导下的音乐节成立到现在,在一系列男性艺术总监的领导下,研究和演奏j.s.巴赫的音乐。作为Riemenschneider Bach Institute (RBI)驻校学者,我一直密切关注与BW Bach音乐节相关的历史文献。
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来源期刊
BACH
BACH MUSIC-
CiteScore
0.30
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10
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