Women and Children First: Appropriated Fiction in the Ten Hours’ Advocate

Q2 Arts and Humanities
Rob Breton
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引用次数: 0

Abstract

This article examines interclass strategies to bring about reform in mid-nineteenth century England. It specifically explores the way the Ten Hours’ Advocate, a paper written for the working classes, looked to present itself as a middle-class periodical in order to further the argument for factory reform. In reproducing fiction filched from middle-class periodicals, the Advocate performed its argument for the Factory Bill: that the Bill would ease social tensions, dissipate the Chartist or radical threat, and ensure a “return” to traditional gender roles. The appropriated fiction is mild, rather bland; the non-fictional argument for reform is direct and unapologetic. That the Advocate was opportunistic in the way it made the case for reform is an example of the advantages provided to reformers by the absence of strict copyright laws and by Victorian periodical culture in general. But it also contextualises the debate over the family-wage argument and the working-class role in hardening the Victorian sexual division of labour.
妇女与儿童至上:《十小时倡导者》中的恰当小说
这篇文章探讨了19世纪中期英国实行改革的阶级间策略。它特别探讨了为工人阶级撰写的《十小时倡导者》(Ten Hours‘Advocate)如何将自己呈现为中产阶级期刊,以进一步推动工厂改革的论点。在复制从中产阶级期刊上窃取的小说时,《倡导者》为《工厂法案》辩护:该法案将缓解社会紧张局势,消除宪章派或激进威胁,并确保“回归”传统的性别角色。挪用的小说是温和的,相当平淡;改革的非虚构论点是直接的、毫无歉意的。倡导者在提出改革理由时是机会主义的,这是一个例子,说明了由于缺乏严格的版权法和维多利亚时代的期刊文化,改革者获得了优势。但它也将关于家庭工资的争论和工人阶级在强化维多利亚州性分工中的作用纳入了背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Victorian Popular Fictions
Victorian Popular Fictions Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
11
审稿时长
16 weeks
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