This is Indian land: a call to museums in addressing mass incarceration of American Indians

IF 0.7 0 HUMANITIES, MULTIDISCIPLINARY
A. Annis
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引用次数: 2

Abstract

ABSTRACT This essay seeks to explore why inclusion of Indian people is fundamental in the difficult histories and dialogues regarding mass incarceration and to challenge the role of museums in ensuring that Indian people are centrally located in the discussion. I argue that the inherent roots of mass incarceration are historically situated in Indian dispossession and the obtainment of Indian land, and to omit this from any narrative is irresponsible. I employ the use of three stories – a piece of street-art by Native artist Jaque Fragua, the occupation of Alcatraz Island, and the current resistance in the Standing Rock Sioux Nation to the Dakota Access Pipeline – to discuss the inherent ties between sovereignty, land, settler colonialism and how they connect to mass incarceration in the United States.
这是印第安人的土地:呼吁博物馆解决美国印第安人的大规模监禁问题
本文旨在探讨为什么在关于大规模监禁的艰难历史和对话中,印度人的参与是至关重要的,并挑战博物馆在确保印度人在讨论中处于中心位置方面的作用。我认为,大规模监禁的内在根源是历史上对印第安人的剥夺和对印第安人土地的获得,从任何叙述中忽略这一点都是不负责任的。我用三个故事来讨论主权、土地、移民殖民主义之间的内在联系,以及它们如何与美国的大规模监禁联系起来。这三个故事分别是本土艺术家Jaque Fragua的街头艺术作品、对恶魔岛的占领,以及目前立岩苏族对达科他输油管道的抵制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.60
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0.00%
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