Desire and Rape in the Feminine: The Tales of Echo and Salmacis: An Ovidian Answer to Propertius 1.20?

IF 0.5 3区 历史学 0 CLASSICS
HELIOS Pub Date : 2019-04-19 DOI:10.1353/HEL.2018.0006
J. Fabre-Serris
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引用次数: 5

Abstract

In this paper I offer a comprehensive study of two stories told in Ovid’s Metamorphoses 3 and 4, each about the meeting between a boy (Narcissus/Hermaphroditus) and a nymph (Echo/Salmacis), consumed with desire at first glance. In both passages Ovid uses a narrative pattern recurring in many erotic tales of the Metamorphoses with male and female protagonists: the sudden sight of an erotically attractive young individual, followed by violent desire, declaration of love in vain, and attempted rape. Since the 1964 study of Hugh Parry,1 violence and rape2 in Ovid’s Metamorphoses have received serious scholarly attention. In the United States there is an ongoing debate on whether and how it is even possible to teach Ovid today, since his vivid depictions of rape and sexual assaults may be offensive for some students.3 Although I will not discuss this particular issue, it seems important to keep in mind that Ovid is the ancient author most interested in examining erotic feelings and sexual situations from a female perspective. In my opinion, the two passages I compare typify Ovid’s personal, authorial choice to empathize with women’s point of view and behavior by giving literary space to a female voice.4 I would argue that Ovid has derived the idea of constructing two parallel stories about erotically desirous nymphs, Echo and Salmacis, from Propertius 1.20. In this text Propertius provides the exemplum of mythical Hylas’s rape to support advice given to his friend, Gallus, about Gallus’s beloved, also named Hylas: huic . . . / nympharum semper cupidas defende rapinas (Ward off from him the ever lustful abductions by nymphs, 7.11). In both narratives, Ovid refers, through a wide range of textual echoes, to various passages from Propertius 1.20. Propertius is only interested in the masculine point of view. He describes in detail the sexual advances of Boreas’s sons, Hylas’s fascination for his own image seen in the water, and Hercules’ despair after Hylas’s abduction. Only at the end, and very briefly, does Propertius mention the kidnapping of the boy by the lustful 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 S39 R40
女性的欲望和强奸:回声和萨尔玛西斯的故事:对财产的奥维德式回答1.20?
在这篇论文中,我对奥维德的《变形记3》和《变形记4》中讲述的两个故事进行了全面的研究,每个故事都讲述了一个男孩(纳西索斯/赫马佛洛狄忒斯饰)和一个仙女(埃科/萨尔马西斯饰)的相遇,第一眼就被欲望所吞噬。在这两段中,奥维德都使用了《变形记》中许多男女主角的情色故事中反复出现的叙事模式:突然看到一个有色情吸引力的年轻人,然后是暴力欲望、徒劳的爱情宣言和强奸未遂。自1964年对休·帕里的研究以来,《奥维德的变形记》中的暴力和强奸受到了学术界的高度关注。在美国,人们一直在争论今天是否以及如何教授奥维德,因为他对强奸和性侵的生动描述可能会冒犯一些学生。3尽管我不会讨论这个特定的问题,重要的是要记住,奥维德是最有兴趣从女性角度审视情色和性状况的古代作家。在我看来,我比较的这两段话代表了奥维德个人的、作家的选择,即通过赋予女性声音文学空间来同情女性的观点和行为。在本文中,Propertius提供了神话中的Hylas被强奸的例子,以支持他的朋友Gallus关于Gallus的爱人的建议,也被命名为Hylas:huic…/尼法鲁姆·塞姆珀·库皮达斯为拉皮纳斯辩护(《远离他》,7.11)。在这两个故事中,奥维德都通过广泛的文本回声引用了《普罗佩修斯1.20》中的各个段落。Propertius只对男性的观点感兴趣。他详细描述了Boreas的儿子们的性侵犯,Hylas对自己在水中的形象的迷恋,以及Hercules在Hylas被绑架后的绝望。直到最后,Propertius才非常简短地提到了好色的12 3 4 5 6 7 9 10 11 13 14 16 17 19 20 21 22 24 25 26 27 28 30 31 32 33 34 35 36 37 38 S39 R40绑架了这个男孩
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来源期刊
HELIOS
HELIOS CLASSICS-
CiteScore
0.50
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