‘A Song is Not Just a Song’: Community Mobilisation and Psychosocial Healing in South Africa’s AIDS Crisis

IF 1 4区 社会学 Q2 AREA STUDIES
G. Walker
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引用次数: 3

Abstract

ABSTRACT South Africa has the highest number of HIV infections in the world, with more than five million people receiving anti-retroviral (ARV) therapies (UNAIDS 2019). However, during the early stages of the epidemic, there was no provision for ARVs through the state-run public health system, effectively limiting access to life-saving drugs. In response, the AIDS activist group the Treatment Action Campaign (TAC) and their HIV positive choir, The Generics, were established to mobilise South African civil society towards pressuring the government into deploying a national ARV programme. This article analyses and compares three culturally significant songs that were appropriated by The Generics. The analyses are socially and historically contextualised by interview data with current and former TAC members. The article suggests that songs facilitated collective mourning and psychosocial healing at a time when HIV treatments were largely unavailable. They further provided a catalyst for mobilisation that was steeped in the recent history of racial oppression against a virus that affected a disproportionate number of black South Africans. By appropriating struggle songs for their cause, The Generics tapped into emotional reservoirs of resistance culture to propel their agenda of government accountability and access to HIV medication.
“一首歌不仅仅是一首歌”:南非艾滋病危机中的社区动员和心理社会治疗
南非是世界上艾滋病毒感染人数最多的国家,有超过500万人接受抗逆转录病毒(ARV)治疗(UNAIDS 2019)。然而,在流行病的早期阶段,没有通过国营公共卫生系统提供抗逆转录病毒药物,有效地限制了获得救生药物的机会。作为回应,艾滋病活动家组织“治疗行动运动”(TAC)和他们的艾滋病阳性合唱团“仿制药”成立了,以动员南非公民社会向政府施压,要求其部署一项全国性的抗逆转录病毒药物项目。本文分析比较了三首具有文化意义的歌曲。通过对现任和前任TAC成员的访谈数据,分析了社会和历史背景。这篇文章表明,在艾滋病治疗基本上无法获得的时候,歌曲促进了集体哀悼和心理治疗。它们进一步为动员提供了催化剂,这种动员是在最近的种族压迫历史中对一种影响到不成比例的南非黑人的病毒进行的。通过为他们的事业挪用斗争歌曲,非专利乐队挖掘了抵抗文化的情感水库,以推动他们的政府问责制和获得艾滋病药物的议程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
African Studies
African Studies AREA STUDIES-
CiteScore
1.80
自引率
0.00%
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