Music-mechanisms at the core of music therapy: Towards a format for a description of music therapy micro-interventions

IF 1.6 4区 医学 Q2 REHABILITATION
L. Hakvoort, Djemida Tönjes
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引用次数: 3

Abstract

ABSTRACT Introduction The quality and quantity of music therapy research are increasing, as are the number of systematic reviews and meta-analyses. However, the latter often define the effect of music therapy treatment as inconclusive. This is frequently due to a lack of clear description of the intervention or the core function of music. Clearly described music therapy interventions might lead to improved treatment fidelity. This article offers a possible solution in three parts. First, limitations in music therapy research are discussed. Second, the design for a format of a practice-based intervention description is explained. In the third part of the article, an example illustrates the use of the format. Method The suggested micro-intervention format could lead to a greater reliability in empirical research through the recognition of the working-mechanisms of music therapy intervention at a micro-level. The micro-intervention format was created in collaboration with practicing music therapists, Master students, and a board member for scientific innovation of a professional association. Results The micro-intervention format allows music therapists to describe music therapy interventions in detail, including the intervention and its musical working-mechanisms. The format is intended to guide music therapists to execute their intervention in comparable manners, which in the case of a scientific study could improve research fidelity. “Music therapeutic guidance to reduce agitation in dementia care using improvisation and familiar songs” is used to illustrate the micro-intervention format. Discussion Development and dissemination of music therapy micro-interventions could lead to improved research outcomes and strengthen the evidence-based foundation of the profession.
音乐治疗核心的音乐机制:音乐治疗微观干预的描述格式
音乐治疗研究的质量和数量都在增加,系统综述和荟萃分析的数量也在增加。然而,后者通常将音乐治疗的效果定义为不确定的。这通常是由于缺乏对音乐的介入或核心功能的清晰描述。清晰描述的音乐治疗干预可能会提高治疗的保真度。本文分三部分提供了一个可能的解决方案。首先,讨论了音乐治疗研究的局限性。其次,解释了基于实践的干预措施描述格式的设计。在本文的第三部分中,一个示例说明了该格式的使用。方法通过在微观层面上认识音乐治疗干预的工作机制,提出的微干预形式可以提高实证研究的可靠性。这种微干预形式是与音乐治疗师、硕士生和专业协会的科学创新董事会成员合作创建的。结果微干预形式允许音乐治疗师详细描述音乐治疗干预,包括干预及其音乐工作机制。该格式旨在指导音乐治疗师以可比的方式执行他们的干预,这在科学研究的情况下可以提高研究的保真度。“使用即兴创作和熟悉的歌曲来减少痴呆症护理中的躁动的音乐治疗指导”被用来说明微干预格式。音乐治疗微干预的发展和传播可以改善研究成果,加强专业的循证基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
45
期刊介绍: Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.
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