Extending the Construct of Centrality of Visual Product Aesthetics

Q1 Arts and Humanities
A. Dumitrescu
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引用次数: 1

Abstract

The concept of Centrality of Visual Product Aesthetics (CVPA) and the associated construct were introduced to measure the level of significance that product design has for certain consumers. The aim was that, after identifying consumers with high CVPA, designers and manufacturers can successfully address to them products with a remarkable design. The initial construct proposed by other researchers was composed by three factors (Value, Acumen and Response). The author of this paper aimed to amplify the construct and tested a new construct containing four additional new factors: Brand Loyalty, Product Involvement, Personality Congruence and Price indifference. After applying Exploratory Factor Analysis, it was found that practically the Value and Brand Loyalty items were part of the same factor. The same situation was encountered for Response and Personality Congruence. After removing the less significant items, a new construct resulted, validated by Confirmatory Factor Analysis. The new construct has been used successfully to test the hypothesis that people with high CVPA attach special importance to products with a high aesthetic content (in the case of loudspeakers).
拓展视觉产品美学的中心性建构
引入了视觉产品美学中心性(CVPA)的概念和相关结构来衡量产品设计对特定消费者的重要性水平。目的是,在确定消费者与高CVPA后,设计师和制造商可以成功地解决他们的产品与一个显着的设计。其他研究者提出的初始结构由三个因素(价值、敏锐度和反应)组成。本文旨在扩大该结构,并测试了一个包含四个新因素的新结构:品牌忠诚、产品卷入、个性一致性和价格冷漠。运用探索性因子分析发现,价值与品牌忠诚实际上是同一因子的组成部分。反应和人格一致性也遇到了同样的情况。去除不太重要的项目后,产生一个新的结构,通过验证性因子分析进行验证。新的结构已被成功地用于测试具有高CVPA的人特别重视具有高审美内容的产品(在扬声器的情况下)的假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Strategic Design Research Journal
Strategic Design Research Journal Arts and Humanities-Arts and Humanities (all)
CiteScore
1.60
自引率
0.00%
发文量
14
审稿时长
26 weeks
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