Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan

IF 0.4 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

OCTOBER Pub Date : 2023-02-01 DOI:10.1162/octo_a_00477

Ryan Holmberg

引用次数: 0

Abstract

Abstract This essay considers the theory and practice of avant-garde manga in Japan in the 1960s and early ’70s, focusing on the work of Sasaki Maki and Hayashi Seiichi in the alt-manga magazine Garo and on the writings of Ishiko Junzō, Nakahara Yūsuke, and Nakamura Hiroshi, with a view to related theories in contemporary Japanese art and experimental film, particularly “anti-art” and “image theory.”

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摘要本文以佐佐木真纪和林一在另类漫画杂志《Garo》上的作品，以及石子俊子、中原洋介和中村宏的作品为研究对象，探讨20世纪60年代和70年代初日本先锋漫画的理论与实践，特别是“反艺术”和“图像理论”

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OCTOBER HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

33.30%

发文量

期刊介绍： At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.