Different affects? Intercepting orientalism through the affective encounters and ritualised mediations of a Shin Buddhist chanting tradition

IF 0.2 1区艺术学 0 MUSIC

Ethnomusicology Forum Pub Date : 2023-01-02 DOI:10.1080/17411912.2022.2158113

Matthew A. Haywood

引用次数: 0

Abstract

ABSTRACT Recent ethnomusicological research concerning affect has mostly favoured contexts with lively and flexible performance standards at the expense of traditions that emphasise strict restraint and conformity to prescriptions. This gap in understanding risks erecting a new orientalism, and so this study aims to prevent such a possibility by demonstrating how a ‘restrained’ performance tradition does indeed affect. The forms and arrangements of mediators are highlighted as critical to producing the uniqueness of affective experiences, and subsequently, a more diversified approach to studying affect is proposed by introducing and delineating the term ‘shades of affective experience’.

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不同的影响?拦截东方主义通过情感的遭遇和仪式化的冥想的信佛诵经传统

最近关于情感的民族音乐学研究大多倾向于活泼灵活的表演标准，而牺牲了强调严格约束和符合处方的传统。这种理解上的差距可能会产生一种新的东方主义，因此本研究旨在通过展示“克制”的表演传统如何确实产生影响来防止这种可能性。中介的形式和安排被强调为产生情感体验独特性的关键，随后，通过引入和描述“情感体验的阴影”这一术语，提出了一种更多样化的研究情感的方法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Ethnomusicology Forum MUSIC-

CiteScore

1.10

自引率

25.00%

发文量

期刊介绍： Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.