And the Mural Came Down: Race, Removal, and Reckoning in the Sunshine City

IF 0.4 1区艺术学 0 ART

ART BULLETIN Pub Date : 2022-10-02 DOI:10.1080/00043079.2022.2070398

A. Wasserman

引用次数: 0

Abstract

Abstract In 1966 Joseph Waller and other members of the Student Nonviolent Coordinating Committee removed George Snow Hill’s Picnicking at Pass-a-Grille (1945) from St. Petersburg, Florida’s, City Hall. For more than two decades, the mural had hung alongside its pendant, Hill’s Fishing on the Pier (1945). Together, the paintings offered a vision of civic progress that denied Black audiences full participation in public life. Yet even in its absence, Picnicking at Pass-a-Grille troubles the present. The Sunshine City’s deferred reckoning with its public artworks and urban projects of racial oppression is a local history with national resonances.

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壁画降临：阳光之城的种族、迁移和清算

1966年，约瑟夫·沃勒和学生非暴力协调委员会的其他成员将乔治·斯诺希尔的《在Pass-a-Grille野餐》(1945)从佛罗里达州的圣彼得堡市政厅移除。二十多年来，这幅壁画一直和它的挂件“希尔在码头上钓鱼”(1945年)挂在一起。总之，这些画作提供了一种公民进步的愿景，剥夺了黑人观众充分参与公共生活的权利。然而，即使没有它，在Pass-a-Grille野餐也困扰着现在。太阳城对其公共艺术作品和种族压迫的城市项目的延迟清算是一段具有全国共鸣的当地历史。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ART BULLETIN ART-

CiteScore

0.70

自引率

28.60%

发文量

期刊介绍： The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December