The Journalist as Producer: Mapping the Scene

IF 0.1 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Monatshefte Pub Date : 2023-06-18 DOI:10.3368/m.115.2.147
Carolin Duttlinger, D. Weidner
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引用次数: 0

Abstract

Abstract:Since the eighteenth century, literary authors have been dependent on journalism while also contributing to this field; these mutual links become particularly pronounced in the Weimar republic, when many writers turn to journalistic writing to supplement their income and enhance their public profile. This essay sets out the vibrancy of the Weimar journalistic landscape, where the feuilleton, or review section, shaped public debate and where literary and cultural magazines offered authors unprecedented scope to publish ambitious texts for a wide readership. One of the most versatile and prolific such voices is Walter Benjamin, whose journalism is inextricably linked to his 'serious' large-scale projects. And yet his journalistic publications are rarely studied in their own right and even less so within their original contexts, where they form part of a network of authors, texts, and media. This special issue undertakes such contextual readings, looking at Benjamin's strategic links both within the Weimar republic and beyond its geographical and temporal borders. (CD/DW)
作为制片人的记者:映射场景
摘要:自十八世纪以来,文学作家一直依赖新闻业,同时也为这一领域做出了贡献;这些相互联系在魏玛共和国变得尤为明显,当时许多作家转向新闻写作来补充收入,提高公众形象。这篇文章阐述了魏玛新闻界的活力,在那里,feuilleton或评论部分塑造了公众辩论,文学和文化杂志为作者提供了前所未有的空间,为广大读者发布雄心勃勃的文本。沃尔特·本杰明(Walter Benjamin)是最多才多艺、最多产的此类声音之一,他的新闻工作与他“严肃”的大型项目密不可分。然而,他的新闻出版物很少被单独研究,在其原始背景下更是如此,因为它们构成了作者、文本和媒体网络的一部分。这期特刊进行了这样的背景解读,着眼于本杰明在魏玛共和国内部及其地理和时间边界之外的战略联系。(CD/DW)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Monatshefte
Monatshefte LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
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