{"title":"Initial investigation into the effect of varying parameters in using an Er:YAG laser for the removal of brass-based overpaint from an oil-gilded frame","authors":"Pawita Boonrat, M. Dickinson, M. Cooper","doi":"10.1080/19455224.2019.1706592","DOIUrl":null,"url":null,"abstract":"Abstract The removal of brass-based overpaint, applied during previous restoration, from an oil-gilded frame by the application of solvents can be challenging and difficult to control due to the often similar solubilities of the paint and oil gilding. In this study, Er:YAG laser radiation (2940nm) has been used to remove brass-based overpaint from a discoloured overpainted oil-gilded frame. Tests have been systematically carried out to investigate the effect of changes to: (1) laser parameters (fluence; number of pulses; pulse duration; repetition rate), and (2) choice of pre-wetting agent (water; isopropyl alcohol; acetone) on the removal process. Observations of the irradiated surfaces revealed that the thermal interaction between laser radiation and the overpaint led to decomposition of the overpaint binder which weakened the paint sufficiently to enable removal using a cotton swab. By using acetone as a pre-wetting agent, the overpaint was removed from a small area of the frame by 20 pulses at 0.8J/cm2 (80µs pulse duration; 1Hz) revealing the gold leaf. This investigation demonstrates the potential for Er:YAG laser radiation in the controlled removal of brass-based overpaint from gilded wood and the requirement for further work to optimise the removal process and characterise the ‘cleaned’ surface.","PeriodicalId":43004,"journal":{"name":"Journal of the Institute of Conservation","volume":"43 1","pages":"106 - 94"},"PeriodicalIF":0.5000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19455224.2019.1706592","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Institute of Conservation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19455224.2019.1706592","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 3
Abstract
Abstract The removal of brass-based overpaint, applied during previous restoration, from an oil-gilded frame by the application of solvents can be challenging and difficult to control due to the often similar solubilities of the paint and oil gilding. In this study, Er:YAG laser radiation (2940nm) has been used to remove brass-based overpaint from a discoloured overpainted oil-gilded frame. Tests have been systematically carried out to investigate the effect of changes to: (1) laser parameters (fluence; number of pulses; pulse duration; repetition rate), and (2) choice of pre-wetting agent (water; isopropyl alcohol; acetone) on the removal process. Observations of the irradiated surfaces revealed that the thermal interaction between laser radiation and the overpaint led to decomposition of the overpaint binder which weakened the paint sufficiently to enable removal using a cotton swab. By using acetone as a pre-wetting agent, the overpaint was removed from a small area of the frame by 20 pulses at 0.8J/cm2 (80µs pulse duration; 1Hz) revealing the gold leaf. This investigation demonstrates the potential for Er:YAG laser radiation in the controlled removal of brass-based overpaint from gilded wood and the requirement for further work to optimise the removal process and characterise the ‘cleaned’ surface.
期刊介绍:
The Journal of the Institute of Conservation is the peer reviewed publication of the Institute of Conservation (Icon). As such, its aims reflect those of Icon, to advance knowledge and education in conservation and achieve the long term preservation and conservation of moveable and immoveable cultural heritage. The Journal provides a collective identity for conservators; it promotes and supports both the profession and professionalism. With international contributions on all aspects of conservation, it is an invaluable resource for the heritage sector. The specific aims of the Journal are to: 1. promote research, knowledge and understanding of cultural heritage conservation through its history, practice and theory 2. provide an international forum to enable and disseminate advances in research, knowledge and understanding relating to conservation and heritage 3. champion and support professional standards of heritage conservation in the UK and internationally 4. provide a permanent record of issues relating to conservation and heritage 5. be financially and operationally sustainable. To achieve these aims, the Journal invites contributions from all those involved in the conservation of cultural heritage and related activities. Areas of interest include understanding cultural heritage materials and their degradation; subject reviews and histories of cultural heritage materials and conservation treatments; new, innovative or improved approaches to conservation and collections care theory, practice, communication, management and training; case studies demonstrating new, innovative or improved approaches; and conservation in its wider context. Submitters are encouraged to demonstrate how their work is of practical application to conservation. To maintain professional standards and promote academic rigour, submissions of articles and shorter notices are subject to an anonymous peer review process.