The identity phenomenon in the media culture of the 60s of the XX century

Q4 Arts and Humanities
Arta Pub Date : 2021-12-01 DOI:10.52603/arta.2021.30-2.15
Alexandru Bohanţov
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引用次数: 0

Abstract

The seventh decade of the XX century of the communist regime is significant in many ways. First of all, it is through the brief “liberalization” of the political, social and cultural life of the former Soviet country, which followed the Stalinist frost of sadness. Nonetheless, the ideological constraints in the field of culture and the media have not completely disappeared. A fundamental feature of the research paradigm of British cultural studies explains that no cultural-artistic practice or cultural product can be understood out of context that is why the study of identity dimensions of media culture in the given period requires a complex grid of analysis. The factual state of culture in general, but also of media communication in particular, can be fully understood only if we proceed to a deconstruction of the mechanisms of propagandistic transfiguration of “socialist reality” and of the cultural or media discourse in the society of those times.
二十世纪六十年代媒介文化中的身份现象
共产主义政权二十世纪的第七个十年在许多方面意义重大。首先,它是通过前苏联国家政治、社会和文化生活的短暂“自由化”,这是在斯大林主义的悲伤霜冻之后。尽管如此,文化和媒体领域的意识形态制约因素并没有完全消失。英国文化研究范式的一个基本特征解释说,任何文化艺术实践或文化产品都不能断章取义,这就是为什么在特定时期研究媒体文化的身份维度需要复杂的分析网格。只有我们解构“社会主义现实”的宣传变形机制,解构那个时代社会中的文化或媒体话语,才能充分理解一般文化的事实状态,尤其是媒体传播的事实状态。
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
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发文量
19
审稿时长
32 weeks
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