Economies of Reperformance

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-03-01 DOI:10.1017/S105420432200096X

Rebecca Chaleff

引用次数: 0

Abstract

As the very first wave of the Covid-19 pandemic ebbed in the United States, a new production of Pina Bausch’s The Rite of Spring (1975) appeared online. Performed on Senegal’s shoreline, Dancing at Dusk resituates Bausch’s choreography within the beach’s formative histories of racialized violence, colonialism, and white supremacy. In this context, the performance also prompts considerations of the relationships between the enduring histories of racial capitalism and the futures of choreographic economies.

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再履约经济

随着新冠肺炎疫情在美国的第一波消退，皮娜·鲍施（Pina Bausch）的《春天的仪式》（1975）的新作品出现在网上。在塞内加尔海岸线上表演的《黄昏之舞》在海滩上种族化暴力、殖民主义和白人至上主义的形成历史中重现了鲍施的舞蹈编排。在这种背景下，这场演出也促使人们考虑种族资本主义的悠久历史与舞蹈经济的未来之间的关系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance