Symbolic Images of Butterflies in Nikos Kazantzakis’s Zorba the Greek

IF 0.2 3区 文学 N/A LITERATURE
W. Kim
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引用次数: 0

Abstract

Perhaps one of the most significant animal images employed by Nikos Kazantzakis in Zorba the Greek: The Saint’s Life of Alexis Zorba (1946) is that of butterflies—with the possible exception of a parrot in its cage. He makes repeated use of butterflies throughout the entire novel, one of the most wellknown works of modern Greek and world literature. Although the image of the caged parrot symbolically promotes a tragic view of the human condition, that of the butterflies has a variety of different meanings. In other words, the symbolic meanings of the butterflies vary greatly depending on the context in which the symbol is used. It explains, at least in part, that the images of the butterflies is not merely applicable to one particular character but to the various characters of the novel. Inarguably, Kazantzskis uses these images as a way to underscore the varied themes of the novel: the futility of human aspiration, spiritual rebirth, lost youth, human mortality, articitic creativity, among many other things. The image of butterflies is introduced early in Zorba the Greek. In Chapter 8, the rainy weather makes the unnamed first-person narrator, whom Alexis Zorba affectionately calls “Boss,” so emotional and sentimental that he feels almost like bursting into tears. He compares a drooping human soul to a rain-soaked butterfly: “These entirely sorrowful hours of light rain are sensual, as if your soul, a butterfly, were being drenched and thereby forced to sink into the ground” (107). All the bitter memories, hidden like rainwater in the depths of his mind, suddenly come to the surface. In this sentimental mood, the narrator goes on to say that lost hopes resemble “wingless butterflies reduced to worms that now creep over your heart’s essence, devouring it” (107). In this scene, the butterflies connote not only the human soul but also the futility of human aspiration. By contrast, the cocoon, inside which the pupa of many moths is protected, is closely related to the human body and its mundaneness. https://doi.org/10.1080/00144940.2023.2165433
尼科斯·卡赞扎基斯的《希腊人左巴》中蝴蝶的象征意象
也许尼科斯·卡赞扎基斯在《希腊人左巴:亚历克西斯·左巴的圣徒生活》(1946)中使用的最重要的动物形象之一是蝴蝶——可能笼子里的鹦鹉除外。他在整部小说中反复使用蝴蝶,这是现代希腊和世界文学中最著名的作品之一。虽然关在笼子里的鹦鹉的形象象征性地促进了对人类状况的悲剧性看法,但蝴蝶的形象却有各种不同的含义。换句话说,蝴蝶的象征意义很大程度上取决于使用该符号的背景。它至少在一定程度上解释了蝴蝶的形象不仅仅适用于一个特定的角色,而是适用于小说中的各种角色。毫无疑问,卡赞兹斯基用这些形象来强调小说的各种主题:人类渴望的徒劳、精神的重生、逝去的青春、人类的死亡、艺术的创造力等等。蝴蝶的形象早在希腊人左巴(Zorba)那里就出现了。在第8章中,阴雨的天气让未具名的第一人称叙述者——亚历克西斯·左巴亲切地称他为“老板”——变得如此情绪化和多愁善感,几乎要哭出来。他把一个萎靡不振的人类灵魂比作一只被雨淋透的蝴蝶:“这些完全悲伤的小雨时刻是感性的,就好像你的灵魂,一只蝴蝶,被淋湿了,因此被迫沉入地下”(107)。所有苦涩的回忆,像雨水一样藏在他心灵深处,突然浮出水面。在这种感伤的情绪中,叙述者继续说,失去的希望就像“没有翅膀的蝴蝶变成了蠕虫,现在爬上你内心的本质,吞噬它”(107)。在这个场景中,蝴蝶不仅意味着人类的灵魂,也意味着人类愿望的徒劳。相比之下,蚕茧保护着许多飞蛾的蛹,它与人体及其世俗密切相关。https://doi.org/10.1080/00144940.2023.2165433
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来源期刊
EXPLICATOR
EXPLICATOR LITERATURE-
CiteScore
0.10
自引率
0.00%
发文量
17
期刊介绍: Concentrating on works that are frequently anthologized and studied in college classrooms, The Explicator, with its yearly index of titles, is a must for college and university libraries and teachers of literature. Text-based criticism thrives in The Explicator. One of few in its class, the journal publishes concise notes on passages of prose and poetry. Each issue contains between 25 and 30 notes on works of literature, ranging from ancient Greek and Roman times to our own, from throughout the world. Students rely on The Explicator for insight into works they are studying.
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