The Reality of Violence and the Violence of Reality in Mario Vargas Llosa’s Novels

Pub Date : 2022-07-01 DOI:10.2478/saec-2022-0007
Rodica Grigore
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Abstract

Abstract Mario Vargas Llosa’s work explores the structures and mechanisms of power, either political or social, the Peruvian writer constantly placing his characters in the complex context of a world dominated by violence. But violence does not always guarantee success, on the contrary, it often brings about loneliness and rejection of some of his major protagonists either by their friends and family or, at times, by the entire community they live in and wish to represent. All these can be analyzed in his novels centered upon contemporary historical issues, such as The Real Life of Alejandro Mayta (1984) and Death in the Andes (1993), where the central characters have to face death and to find the most adequate answer to the challenge of various violent forces. The real Peru is turned into a symbolic domain of fear and mystical practice, suggesting a new kind of fictional reality, expressing a society mentally blocked within its own traditions and practically unable (or unwilling) to get over them.
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马里奥·巴尔加斯·略萨小说中暴力的现实与现实的暴力
马里奥·巴尔加斯·略萨(Mario Vargas Llosa)的作品探讨了政治或社会权力的结构和机制,这位秘鲁作家不断地将他的人物置于一个由暴力主导的世界的复杂背景中。但是暴力并不总是保证成功,相反,它经常给他的一些主要主人公带来孤独和拒绝,或者被他们的朋友和家人,或者有时被他们生活并希望代表的整个社区。这些都可以在他以当代历史问题为中心的小说中进行分析,例如《亚历杭德罗·梅塔的真实生活》(1984)和《安第斯山脉的死亡》(1993),其中的中心人物不得不面对死亡,并找到最充分的答案来应对各种暴力力量的挑战。真实的秘鲁变成了恐惧和神秘实践的象征性领域,暗示了一种新的虚构现实,表达了一个在自己的传统中被精神封锁的社会,实际上无法(或不愿)克服它们。
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