Craftsmen Working for Kangxi: the “Invention of Curious Things” by the Jesuits Gabriel de Magalhães (1609–1677) and Tomás Pereira (1646–1708)

IF 0.1 0 ASIAN STUDIES
Maria João Pereira Coutinho
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Abstract

This essay focuses on the strategy followed by two Jesuits from the Portuguese Padroado, Gabriel de Magalhães and Tomás Pereira, to remain at the court in Beijing at a time when the effects of ethnic and cultural clashes between Han and Manchus were felt, as were those of the natural disasters that devastated China and battered its economy. While the first excelled as a locksmith, the second, who called himself a craftsman, had the ability to draw and could build musical instruments, write music and teach to play instruments. Both managed to create works reconciling art and mechanics, which greatly impressed the Kangxi Emperor. These objects were visually appealing, but they also showed the knowledge these Jesuits active in Beijing had about some European treatises on art and mechanics, namely in the area of hydraulics. By adapting European forms and techniques to Chinese materials both men met Kangxi’s plan of a dynasty open to other cultures, while assuring the “peaceful coexistence” of Jesuits in China, in an age marked by climate change and ethnic clashes.
为康熙工作的工匠:耶稣会士加布里埃尔·德·马加勒·赫斯(1609-1677)和Tomás佩雷拉(1646-1708)的“奇妙发明”
这篇文章关注的是来自葡萄牙Padroado的两位耶稣会士Gabriel de magalh和Tomás Pereira所遵循的策略,他们在汉满族之间的民族和文化冲突的影响,以及摧毁中国和打击其经济的自然灾害的影响下,留在了北京的朝廷。第一个擅长锁匠,第二个自称手艺人,会画画,会制作乐器,会作曲,还会教别人演奏乐器。两人都成功地创造了艺术与机械相结合的作品,这给康熙皇帝留下了深刻的印象。这些物品在视觉上很吸引人,但它们也显示了这些活跃在北京的耶稣会士对一些欧洲艺术和力学著作的了解,即在水力学领域。通过将欧洲的形式和技术与中国的材料相结合,两人都满足了康熙王朝向其他文化开放的计划,同时确保了耶稣会士在中国的“和平共处”,在一个以气候变化和种族冲突为标志的时代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Ming Qing Yanjiu
Ming Qing Yanjiu Multiple-
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