Makara of Adan-Adan Temple: The Art Style During The Kaḍiri Period

Sukawati Susetyo
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Abstract

This paper discusses the makara found at Adan-Adan Temple, Kediri. So far, it is the largest makara in Indonesia and, in terms of iconography, has distinctive features. The data was collected through detailed observations both directly in the field or through photographs. This study employed a comparative analysis, i.e. comparing the collected data to the makaras from different periods (the Ancient Matarām, the Srīwijaya, and the Siŋhasāri). From these comparisons, it is known that the makara at Adan-Adan Temple has special characteristics, i.e. different depictions between the makara on the left and the right as can be seen from the figure of a mythical creature inside the makara’s mouth, from the sculpture on the front of the makara, and on the back of the makara. This particularity may be included as an art style of the Kaḍiri period (the transitional period of from Ancient Matarām to Siŋhasāri).
阿丹-阿丹寺的Makara: Kaḍiri时期的艺术风格
本文讨论了在克迪里阿丹阿丹寺发现的马卡拉。到目前为止,它是印度尼西亚最大的马卡拉,从图像学角度来看,它具有鲜明的特色。数据是通过直接在现场或通过照片进行的详细观察收集的。这项研究采用了比较分析,即将收集到的数据与不同时期的马卡拉人(古代马塔拉姆人、Srīwijaya人和Siŋhasāri人)进行比较。从这些比较中可以看出,阿丹阿丹寺的马卡拉有着特殊的特征,即左右两侧的马卡拉描绘不同,这可以从马卡拉口中的神话生物形象、马卡拉正面和马卡拉背面的雕塑中看出。这种特殊性可以作为卡的一种艺术风格ḍiri时期(从古代马塔尔ām到Siŋhasāri的过渡时期)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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