{"title":"Twentieth-Century South African Women’s Memoir as Historiography","authors":"S. Duff","doi":"10.1080/00020184.2023.2214521","DOIUrl":null,"url":null,"abstract":"ABSTRACT While historians of twentieth-century South Africa have made use of women’s memoirs as an archive, this article argues that these memoirs can also be regarded as historiography. In Ruth First’s 117 Days (1965), Ellen Kuzwayo’s Call Me Woman (1985), and Strikes Have Followed Me All My Life: A South African Autobiography by Emma Mashinini (1989), authors critique and reconstitute narratives of the South African past, told through the lives of politically engaged women. They present versions of South African history that not only act as a corrective to the apartheid state-sanctioned narrative of South African history as white supremacist triumph, but also probe the limits of the histories narrated by liberation movements.","PeriodicalId":51769,"journal":{"name":"African Studies","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"African Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/00020184.2023.2214521","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT While historians of twentieth-century South Africa have made use of women’s memoirs as an archive, this article argues that these memoirs can also be regarded as historiography. In Ruth First’s 117 Days (1965), Ellen Kuzwayo’s Call Me Woman (1985), and Strikes Have Followed Me All My Life: A South African Autobiography by Emma Mashinini (1989), authors critique and reconstitute narratives of the South African past, told through the lives of politically engaged women. They present versions of South African history that not only act as a corrective to the apartheid state-sanctioned narrative of South African history as white supremacist triumph, but also probe the limits of the histories narrated by liberation movements.