{"title":"HISTORY OF PHOTOGRAPHY ON THE EXAMPLE\nOF SELECTED PHOTOGRAPHIC TECHNIQUES.\nA PHOTOGRAPH AS AN OBJECT","authors":"A. Wolska","doi":"10.5604/01.3001.0014.3639","DOIUrl":null,"url":null,"abstract":"In the first part of the paper, the focus\nis on historical and technical aspects of the invention\nof photography, beginning with the first research\nworks conducted by J.N. Niépce up to the patenting of\ndaguerreotype in 1839 by L. Daguerre. In the further\nsection of the paper emphasis is put on the fast spread of\nphotography; short profiles of the first Polish photographers\nwho contributed to promoting photography: J. Giwartowski,\nK. Beyer, W. Rzewuski, and M. Strasz, are given. Furthermore,\nthe early-19th-century discourse between the artistic and\nphotographic circles is briefly discussed, with some comments\nby e.g. E. Delacroix, P. Delaroche, Ch. Baudelaire, L. Daguerre\nquoted. Subsequently, the early displays of photographs in\nexhibitions and museums are described, e.g. during the 1851\nFirst World Exhibition in London and at the South Kensington\nMuseum in 1858. What follows this is a presentation of\nselected photographic techniques, shown against the events\nrelated to given inventions, e.g.: daguerreotype, salt print,\ntechniques based on the collodion process, compounds of\ndichromates and chromates, calotype, cyanotype. Further,\nsource reference is given to describe potential threats related\nto the degradation, damage, and a possible repair of images\nrecorded in photographs.\nAnother section of the paper is dedicated to presenting\nartistic movements in photography which formed in the late\n19th century. The final part speaks of the questions related\nto e.g. storage humidity and temperature, display of photographic\nobjects that are in museum collections, and pH of\nmaterials and frames; the author also reflects on the need\nto digitize collections.\n\n","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"61 1","pages":"192-200"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzealnictwo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0014.3639","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
In the first part of the paper, the focus
is on historical and technical aspects of the invention
of photography, beginning with the first research
works conducted by J.N. Niépce up to the patenting of
daguerreotype in 1839 by L. Daguerre. In the further
section of the paper emphasis is put on the fast spread of
photography; short profiles of the first Polish photographers
who contributed to promoting photography: J. Giwartowski,
K. Beyer, W. Rzewuski, and M. Strasz, are given. Furthermore,
the early-19th-century discourse between the artistic and
photographic circles is briefly discussed, with some comments
by e.g. E. Delacroix, P. Delaroche, Ch. Baudelaire, L. Daguerre
quoted. Subsequently, the early displays of photographs in
exhibitions and museums are described, e.g. during the 1851
First World Exhibition in London and at the South Kensington
Museum in 1858. What follows this is a presentation of
selected photographic techniques, shown against the events
related to given inventions, e.g.: daguerreotype, salt print,
techniques based on the collodion process, compounds of
dichromates and chromates, calotype, cyanotype. Further,
source reference is given to describe potential threats related
to the degradation, damage, and a possible repair of images
recorded in photographs.
Another section of the paper is dedicated to presenting
artistic movements in photography which formed in the late
19th century. The final part speaks of the questions related
to e.g. storage humidity and temperature, display of photographic
objects that are in museum collections, and pH of
materials and frames; the author also reflects on the need
to digitize collections.