‘Why Read Literature?’: Appeasing the Appetite for Play

IF 0.1 4区 文学 N/A LANGUAGE & LINGUISTICS
N. Pagan
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引用次数: 1

Abstract

ABSTRACT This article begins by questioning the ethical turn in literary studies (Hillis Miller, Attridge) and suggests that this redirection has tended to downplay the importance of what Friedrich Schiller had labelled ‘the play-drive’ (Spieltrieb). Drawing on neuroscientist Jaak Panskepp's findings concerning the primacy of the play instincts, the article focuses on Wolfgang Iser's ‘literary anthropology’ and a theory of reading that can describe games played by authors and readers in what, following Freud, may be called a ‘playground’ (Tummelplatz). Iser's concepts ‘the fictive’ and ‘the imaginary’ are then placed alongside traditional concepts from play theory to explore an extract from Toni Morrison's The Bluest Eye in which the protagonist plays with and dismembers a doll. This analysis appropriates, in particular, Iser's ideas in order to highlight the fundamentally playful nature of our engagement with literature.
“为什么要读文学?”:增加游戏欲望
摘要本文首先对文学研究中的伦理转向提出质疑(Hillis-Miller,Attridge),并指出这种转向倾向于淡化弗里德里希·席勒所称的“戏剧驱动”(Spieltrieb)的重要性。这篇文章借鉴了神经科学家Jaak Panskepp关于游戏本能首要地位的发现,重点关注Wolfgang Iser的“文学人类学”和一种阅读理论,该理论可以描述作者和读者在弗洛伊德之后可能被称为“游乐场”的地方玩的游戏(Tummelplatz)。然后,Iser的概念“虚构的”和“想象的”与游戏理论中的传统概念放在一起,探索托尼·莫里森的《最蓝的眼睛》中的一段节选,主人公在其中扮演并肢解了一个玩偶。这一分析特别引用了伊泽尔的思想,以突出我们与文学接触的本质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
自引率
0.00%
发文量
2
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