Art as Critical Experience in Theodor W. Adorno and John Dewey.

IF 0.6 2区哲学 0 PHILOSOPHY

JOURNAL OF THE HISTORY OF IDEAS Pub Date : 2023-01-01 DOI:10.1353/jhi.2023.a901492

Athanassia Williamson

引用次数: 0

Abstract

The idea of risk, of the willingness to be exposed to the possibility of total failure, is a core value of Adorno's philosophical and aesthetic modernism. This willingness to be exposed to risk is also a quality that Adorno associates most strongly, in aesthetics, with Deweyan pragmatism. Against tendencies to assume an irreconcilability of critical theory and pragmatism, this essay ventures that an appreciation of Adorno's acknowledgement of Dewey in his Aesthetic Theory would mean considering that it is in Dewey that Adorno might have found the closest exemplar of the dialectical, experimental freedom that he desired for his aesthetics.

查看原文本刊更多论文

阿多诺和杜威的艺术批判经验

摘要：风险意识，即愿意暴露在彻底失败的可能性中，是阿多诺哲学和美学现代主义的核心价值。这种冒险的意愿也是阿多诺在美学上与杜威实用主义联系最紧密的品质。针对批判理论和实用主义不可调和的倾向，本文大胆地认为，欣赏阿多诺在其美学理论中对杜威的承认，意味着认为正是在杜威身上，阿多诺可能找到了他所期望的辩证、实验自由的最接近的典范。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

JOURNAL OF THE HISTORY OF IDEAS PHILOSOPHY-

CiteScore

0.70

自引率

0.00%

发文量

期刊介绍： Since its inception in 1940, the Journal of the History of Ideas has served as a medium for the publication of research in intellectual history that is of common interest to scholars and students in a wide range of fields. It is committed to encouraging diversity in regional coverage, chronological range, and methodological approaches. JHI defines intellectual history expansively and ecumenically, including the histories of philosophy, of literature and the arts, of the natural and social sciences, of religion, and of political thought. It also encourages scholarship at the intersections of cultural and intellectual history — for example, the history of the book and of visual culture.