Making the nation manly: The case of Bhaag Milkha Bhaag (2013) and India's search for regional dominance in an era of neo-liberal globalization

Q1 Arts and Humanities
Sikata Banerjee, R. Williams
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引用次数: 2

Abstract

Abstract This article unpacks a particular gendered vision of nation that we term muscular nationalism. Briefly put, muscular nationalism is an intersection of a specific vision of masculinity with the political doctrine of nationalism. This idea of nation is animated by an idea of manhood associated with martial prowess, muscular strength and toughness. A particular interpretation of muscular nationalism has unfolded in India within a cultural milieu shaped by an assertive self-confidence fuelled by 'liberalization', a process by which India has been integrated into the global political economy, coupled with the prominence of Hindu nationalist politics. India's prolific commercial film industry centred in Mumbai has used images of manhood to express and valorize these cultural changes. We use the popular and critically acclaimed film Bhaag Milkha Bhaag (2013), directed by Rakesh Omprakash Mehra, to illustrate how athleticism and India's desire for regional dominance in South Asia shape muscular nationalism.
使国家变得男子气概:巴格·米尔哈·巴格(2013)与印度在新自由主义全球化时代寻求地区主导地位的案例
本文揭示了一种特殊的性别化的国家观,我们称之为肌肉民族主义。简而言之,肌肉民族主义是一种特定的男子气概与民族主义政治教义的交集。这种国家观念是由一种与武功、肌肉力量和韧性有关的男子气概观念所激发的。在“自由化”的推动下,印度融入全球政治经济的过程,加上印度教民族主义政治的突出地位,形成了一种自信的文化环境,在这种文化环境中,对强硬民族主义的一种特殊解释在印度展开。以孟买为中心的印度多产的商业电影工业利用男子气概的形象来表达和评价这些文化变化。我们用Rakesh Omprakash Mehra导演的广受好评的电影《Bhaag Milkha Bhaag》(2013)来说明运动能力和印度对南亚地区主导地位的渴望如何塑造了强大的民族主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in South Asian Film and Media
Studies in South Asian Film and Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
8
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