Displaying Mythological Characters

IF 0.6 0 RELIGION
S. Tsukahara, J. Pultz
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引用次数: 0

Abstract

The large figures displayed atop the floats in the Sawara Grand Festival portray characters drawn from mythology and history that have been strongly associated with Japanese nationalism and imperialism. In order to investigate the meanings that these float figures hold for the participants and audience of the festival, this article acknowledges the close relations between folklore and politics and interprets the works themselves as agents that enact emotions and responses, rather than focusing on the creative intentions of the producers. The figure subjects were freely chosen by the people of Sawara, mostly during the prewar period, and were based on characters that were popular at the time—namely, the emperors and their mythological ancestors and historical champions. In the present, however, the figures are rarely seen in light of their nationalistic origins. Instead, they are appreciated more for their aesthetic beauty and as mascots of the various wards of Sawara.
展示神话人物
在泽原大祭上,花车上展示的大型人物描绘的是与日本民族主义和帝国主义密切相关的神话和历史人物。为了探究这些漂浮的人物对节日参与者和观众的意义,本文承认民间传说与政治之间的密切关系,并将作品本身解释为制定情感和反应的代理人,而不是关注生产者的创作意图。人物主题是由泽原人民自由选择的,主要是在战前时期,并且是基于当时流行的人物-即皇帝及其神话中的祖先和历史上的冠军。然而,在目前,这些数字很少被看作是民族主义的起源。相反,人们更欣赏它们的美感和作为泽原各个地区的吉祥物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
33.30%
发文量
6
期刊介绍: JRJ is committed to an approach based on religious studies, and is open to contributions coming from different disciplines, such as anthropology, sociology, history, Buddhist studies, Japanese studies, art history, and area studies. The Journal of Religion in Japan encourages critical application of ideas and theories about Japanese religions and constitutes a forum for new theoretical developments in the field of religion in Japan. The Journal does not provide a venue for inter-religious dialogue and confessional approaches.
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