{"title":"Theorizing Kuirlombismos and Black Liberation Across the Diaspora: Black Brazilian Artivists Challenge the Coloniality of Affect","authors":"Tanya L. Saunders","doi":"10.1215/10642684-9991355","DOIUrl":null,"url":null,"abstract":"Abstract:This essay has three goals: First, to illustrate the epistemological interventions of Black Brazilian queer artivists in theories of Black liberation through naming and defining their sexual-dissident-subjectivities and the affective modes they engender, such as the feeling of solidão (solitude). Second, to contribute to efforts to decolonize the academy in the Americas more broadly, by pointing to the emergent Black queer archives and repertoires that Black queer artivists are intentionally producing outside the Brazilian academy. And third, to highlight how, why, and where Black queer theory is being produced in Brazil, to avoid crediting privileged (in this case, white mestizo) actors within the Brazilian academy for the intellectual production of Black queer theorists who generally do not have access to the transnational academic sphere.","PeriodicalId":47296,"journal":{"name":"Glq-A Journal of Lesbian and Gay Studies","volume":"28 1","pages":"589 - 616"},"PeriodicalIF":0.9000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Glq-A Journal of Lesbian and Gay Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/10642684-9991355","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:This essay has three goals: First, to illustrate the epistemological interventions of Black Brazilian queer artivists in theories of Black liberation through naming and defining their sexual-dissident-subjectivities and the affective modes they engender, such as the feeling of solidão (solitude). Second, to contribute to efforts to decolonize the academy in the Americas more broadly, by pointing to the emergent Black queer archives and repertoires that Black queer artivists are intentionally producing outside the Brazilian academy. And third, to highlight how, why, and where Black queer theory is being produced in Brazil, to avoid crediting privileged (in this case, white mestizo) actors within the Brazilian academy for the intellectual production of Black queer theorists who generally do not have access to the transnational academic sphere.
期刊介绍:
Providing a much-needed forum for interdisciplinary discussion, GLQ publishes scholarship, criticism, and commentary in areas as diverse as law, science studies, religion, political science, and literary studies. Its aim is to offer queer perspectives on all issues touching on sex and sexuality. In an effort to achieve the widest possible historical, geographic, and cultural scope, GLQ particularly seeks out new research into historical periods before the twentieth century, into non-Anglophone cultures, and into the experience of those who have been marginalized by race, ethnicity, age, social class, body morphology, or sexual practice.