Care, longing, and control

IF 0.4 0 RELIGION
Sandra Wallenius-Korkalo
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引用次数: 0

Abstract

This article analyses representations of Conservative Laestadianism in contemporary Finnish and Finnish-American popular culture. Drawing from political studies, religious studies and cultural studies, the article sheds light on the ways in which Conservative Laestadianism is present in societal debate and in the cultural imagination. Focusing on religious corporeality, the article scrutinises the embodied practices of Conservative Laestadianism and the ways in which the representations participate in making sense of gender, sexuality, and power in religious communities. Contemporary understandings in popular culture are revealed through the detailed analysis of four cultural products of different genres depicting Conservative Laestadianism: a film entitled Kielletty hedelma (Forbidden Fruit, 2009), a novel entitled We Sinners (2012), a reality television show entitled Iholla (On the Skin, 2013), and a play entitled Taivaslaulu (Heavensong, 2015). As a synthesis of the representations of Conservative Laestadianism, the article presents a dynamic triad of care, longing, and control. Furthermore, the article raises questions about the potential of popular culture in calling for a dialogue between Conservative Laestadianism and society at large.
关心、渴望和控制
本文分析了当代芬兰和芬兰裔美国人流行文化中保守主义的表现形式。本文从政治研究、宗教研究和文化研究三个方面,揭示了保守的拉埃斯塔主义在社会辩论和文化想象中的表现方式。文章以宗教物质性为中心,仔细研究了保守的拉斯他主义的具体实践,以及代表参与理解宗教社区中的性别、性和权力的方式。通过对四种不同类型的文化产品的详细分析,揭示了当代对流行文化的理解,这四种文化产品描绘了保守派的Laestadian主义:一部名为《Kielletty hedelma》(《禁果》,2009年)的电影、一部题为《我们是罪人》(2012年)的小说、一个名为《Iholla》(《皮肤上》,2013年)的真人秀节目和一部名叫《Taivaslaulu》(Heavenson,2015年)的戏剧。本文综合了保守主义的表现形式,提出了关怀、渴望和控制的动态三位一体。此外,这篇文章还提出了流行文化在呼吁保守派与整个社会进行对话方面的潜力问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
25.00%
发文量
24
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