It’s got some meaning but I am not sure…: The role of the particle (wa)-ma in the oral and transitional poetry of the Jbala (northern Morocco) from the cognitive perspective

IF 0.5 3区 文学 0 LANGUAGE & LINGUISTICS
S. Gintsburg
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引用次数: 8

Abstract

Abstract In this research I aim to contribute to a better understanding of transitionality in poetic language by applying for the first time the hypotheses recently developed by pioneers in the emerging field of cognitive poetics to a living tradition. The benefits of working with a living tradition are tremendous: it is easy to establish the literacy level of the authors and the mode of recording of poetic text is also easy to elicit or, when necessary, to control. I chose a living poetic tradition originating from the Jbala (Morocco). Although it is not epic and local poets create only relatively short poetic texts, memorisation is also used; it has been demonstrated that oral improvisation and the use of memory are not mutually exclusive. This suggests that research on the living Jebli tradition holds promise for our understanding of oral poetry, and for revisiting the intriguing question of formulaic language.
它有一定的意义,但我不确定…:从认知的角度看Jbala(摩洛哥北部)口述和过渡诗歌中助词(wa)-ma的作用
摘要在这项研究中,我的目的是通过首次将新兴认知诗学领域的先驱们最近提出的假设应用于一种活生生的传统,来更好地理解诗歌语言中的过渡性。与活的传统合作的好处是巨大的:很容易确定作者的识字水平,诗歌文本的记录模式也很容易引发,或者在必要时进行控制。我选择了一种源自Jbala(摩洛哥)的活的诗歌传统。虽然它不是史诗,当地诗人只创作了相对较短的诗歌文本,但也使用了纪念;已经证明口头即兴创作和记忆的使用并不是相互排斥的。这表明,对活的杰布利传统的研究有助于我们理解口头诗歌,并重新审视公式化语言这一有趣的问题。
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CiteScore
0.80
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1
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