Reparative interpellation: public art’s Indigenous and non-human publics

IF 0.5 4区 社会学 0 ART
D. Robinson
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引用次数: 1

Abstract

This article considers the multiple ways in which public art interpellates viewers as settlers, Indigenous and non-human subjects. It could be argued that much public artwork in the late 20th and early 21st century has a ‘reparative’ function through its socially-engaged, community-specific and consciousness-raising aspects. To do so, however, would be to conflate the reparative with the recognition of injustice rather than understand it as the action of repair. The author asserts that for public art to engage in reparative work necessitates interrupting the normative forms and materialities of public art that interpellate the ‘public’ as settler subjects. How, he asks, might the reparative potential of public art be re-envisioned through a consideration of Indigenous and non-human publics?
修复性诘问:公共艺术的本土与非人类公众
这篇文章考虑了公共艺术以多种方式向作为定居者、原住民和非人类主体的观众发出质询。可以说,20世纪末和21世纪初的许多公共艺术品通过其社会参与、社区特定和提高意识的方面具有“修复”功能。然而,这样做将把修复与承认不公正混为一谈,而不是将其理解为修复行动。作者断言,公共艺术要从事修复工作,就必须中断公共艺术的规范形式和物质性,这些规范形式和实质性是对作为定居者主体的“公众”的质询。他问道,如何通过考虑土著和非人类公众来重新设想公共艺术的修复潜力?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.50
自引率
0.00%
发文量
0
期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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