THE DISCOURSE OF PADANG RESTAURANTS IN GUS TF SAKAI’S NOVEL ULAR KEEMPAT

Fadlillah Fadlillah, A. B. Wirawan, I. W. Cika
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Abstract

The topic of the research is the novel titled Ular Keempat (the Fourth Snake) by Gus tf Sakai. It is focused on the text of Rumah Makan Padang (Padang restaurants) in the novel based on the study of cultural studies literature. In the final part of the story of Ular Keempat, there is a side text of Rumah Makan Padang. The main point of the research is the archeology of Rumah Makan Padang. The approaches used are the Foucault‘s discourse and Derrida‘s deconstruction. The result of the study shows that the essence of  the story of Hajj trip in the articulation of Minangkabau people‘s view of life can be revealed in some texts. First, text of Padang was the episteme discourse built by the Dutch East Indies goverment. Second, the discourse of Minangkabau Sufistic culture systemically was demolished by the Dutch East Indies government. Third, the discourse of Minangkabau culture was systemically controlled by the Dutch East Indies government. Fourth, the discourse of Dutch colonial‘s liberal culture is actually continued by the Indonesian government towards Minangkabau culture. Fifth, the literary approach can be applied by studying the metaphors and cultural hospitality. Through this research it can be argued that the text of Hajj trip, in the novel of Ular Keempat, is a manifestation of the essence of merantau text empirically. Life for Minangkabau people is actually migration and after life is the true home; this is theirlife view. Thus, Minangkabau culture is actually a sufistic culture, and surau is the center of Minangkabau culture.
酒井法子的小说《平凡的生活》中关于巴东餐厅的论述
此次研究的对象是酒井法子的小说《第四蛇》。本文主要以小说《巴东餐厅》中的文本为基础,对文学文化研究进行研究。在故事的最后一部分,有一个Rumah Makan Padang的旁白。研究的重点是鲁玛玛干巴东的考古。使用的方法是福柯的话语和德里达的解构。研究结果表明,在一些文本中可以揭示米南卡堡人的人生观中朝觐之旅故事的本质。首先,巴东语篇是荷兰东印度政府建构的认识论话语。其次,米南卡保苏菲文化话语被荷属东印度政府系统地摧毁。第三,米南卡保文化的话语受到荷属东印度政府的系统控制。第四,荷兰殖民时期的自由主义文化话语实际上是印尼政府对米南卡保文化的延续。第五,文学方法可以通过研究隐喻和文化好客来应用。通过本文的研究可以认为,乌尔·凯姆帕特小说中的朝觐之旅文本是梅兰托文本本质的经验性体现。米南卡保人的生活实际上是迁徙,死后才是真正的家;这是他们的人生观。因此,米南卡堡文化实际上是一种唯我独的文化,苏罗是米南卡堡文化的中心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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