Narrentum and Being-Jewish: Kafka and Benjamin

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Naharaim Pub Date : 2021-06-01 DOI:10.1515/naha-2021-0002
Galili Shahar
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引用次数: 0

Abstract

Abstract This essay examines the notion of Narrentum (foolishness) in Franz Kafka’s writings, reflecting Walter Benjamin’s engagement with the legacy of Kafka’s fools. The Narr, associated with playfulness, irony, and resistance, provides a comic perspective on the question of being-Jewish. Alongside its Germanic, mostly Baroque, heritage, the Narr incorporates traditional Jewish tropes, primarily rooted in Aggadic traditions. However, in Kafka’s world, the Narr embodies performative skills also linked to Yiddish theatre. In Benjamin’s readings, Kafka’s Narr is associated with the crisis of modern Judaism and with different modes of wisdom. The Narr signifies particular sorts of nihilistic freedom, which Benjamin refers to as redemptive.
纳伦顿与成为犹太人:卡夫卡与本雅明
摘要本文考察了卡夫卡作品中的叙事(愚蠢)概念,反映了瓦尔特·本雅明对卡夫卡愚蠢遗产的关注。《纳罗》与嬉闹、讽刺和反抗联系在一起,为身为犹太人的问题提供了一个喜剧视角。除了其日耳曼式(主要是巴洛克式)的遗产外,纳尔还融入了传统的犹太比喻,主要植根于阿格拉迪奇传统。然而,在卡夫卡的世界里,叙事体现了与意第绪语戏剧有关的表演技巧。在本雅明的阅读中,卡夫卡的《纳罗》与现代犹太教的危机以及不同的智慧模式联系在一起。Narr象征着某种特定的虚无主义自由,本雅明称之为救赎。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Naharaim
Naharaim HUMANITIES, MULTIDISCIPLINARY-
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