Contestation sociale et spatiale dans Jenny l’ouvrière et Claudie

IF 0.1 3区文学 0 LITERATURE, ROMANCE

NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2023-04-18 DOI:10.1353/ncf.2023.0002

J. Best

引用次数: 0

Abstract

Abstract:In 1850 and 1851, two plays staged at the Porte Saint-Martin theatre featured working class heroines: Jenny l’ouvrière, drame en cinq actes by Jules Barbier and Adrien Decourcelles, and Claudie, drame en trois actes by George Sand. Both plays reflect major challenges facing society in the 1850s following the revolution of 1848 and the bloody days of June: poverty, lack of work, the condition of women in the city and in the countryside. Despite the efforts of government censors to eliminate the subversive aspects of these two plays, their spatial organization continued to question the distinction between social classes. (In French.)

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珍妮和克劳迪的社会和空间抗议

摘要:1850年和1851年，在圣马丁门剧院上演了两部以工人阶级女主人公为主角的戏剧:朱尔斯·巴比尔和阿德里安·德库塞勒的《珍妮·乌夫里》和乔治·桑的《克劳蒂》。这两部戏剧都反映了在1848年革命和血腥的六月之后，19世纪50年代社会面临的主要挑战:贫困、缺乏工作、城市和农村妇女的状况。尽管政府审查者努力消除这两部戏剧的颠覆性方面，但它们的空间组织继续质疑社会阶层之间的区别。(法语)。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

NINETEENTH-CENTURY FRENCH STUDIES LITERATURE, ROMANCE-

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0.20

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0.00%

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期刊介绍： Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer reviewed to ensure scholarly integrity. This journal has an extensive book review section covering a variety of disciplines. Nineteenth-Century French Studies is published twice a year in two double issues, fall/winter and spring/summer.