{"title":"Možný vliv Wilhelma Diltheye na tvorbu a myšlení Josého Maríi Arguedase","authors":"Tereza Kalkusová","doi":"10.14712/23366729.2022.1.1","DOIUrl":null,"url":null,"abstract":"The paper examines the potential influence of Wilhelm Dilthey on the works and thought of the Peruvian writer and ethnologist José María Arguedas. In 1953 Arguedas opened his ethnological article “Mountains in the Process of Peruvian Culture” with a quote from Dilthey’s book of essays Experience and Poetry (1910). Despite the fact that the two authors are distant in space and time, their herme-neutic approach and, above all, their faith in art as the highest possible form of knowledge, brings their reflections together. Dilthey’s triad experience — expression — understanding, which forms the core of the chosen quote, expresses the essence of art and its value: beauty, honest judgment, an authentic descent into the depth of linguistic expression and cultural identity. The three concepts also summarize Arguedas’s lifelong efforts to use art to make the underestimated Quechua and mes-tizo cultures a legitimate part of modern Peru and art in general.","PeriodicalId":36776,"journal":{"name":"Svet Literatury","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Svet Literatury","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14712/23366729.2022.1.1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The paper examines the potential influence of Wilhelm Dilthey on the works and thought of the Peruvian writer and ethnologist José María Arguedas. In 1953 Arguedas opened his ethnological article “Mountains in the Process of Peruvian Culture” with a quote from Dilthey’s book of essays Experience and Poetry (1910). Despite the fact that the two authors are distant in space and time, their herme-neutic approach and, above all, their faith in art as the highest possible form of knowledge, brings their reflections together. Dilthey’s triad experience — expression — understanding, which forms the core of the chosen quote, expresses the essence of art and its value: beauty, honest judgment, an authentic descent into the depth of linguistic expression and cultural identity. The three concepts also summarize Arguedas’s lifelong efforts to use art to make the underestimated Quechua and mes-tizo cultures a legitimate part of modern Peru and art in general.
本文考察了Wilhelm Dilthey对秘鲁作家和民族学家jos María Arguedas的作品和思想的潜在影响。1953年,阿格达斯在他的人种学文章《秘鲁文化进程中的山脉》的开头引用了狄尔泰的散文集《经验与诗歌》(1910)。尽管两位作者在空间和时间上相距遥远,但他们的诠释中立的方法,尤其是他们对艺术作为最高可能的知识形式的信仰,将他们的反思结合在一起。狄尔泰的“体验-表达-理解”三位一体构成了这段引文的核心,表达了艺术的本质及其价值:美、诚实的判断、对语言表达深度的真实下降和文化认同。这三个概念也总结了Arguedas一生的努力,即利用艺术使被低估的克丘亚和梅斯蒂索文化成为现代秘鲁和一般艺术的合法组成部分。