DURATION OF INTRODUCTION IN MODERN BULGARIAN POP AND ROCK SONGS

I. Vasilev
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Abstract

. The article examines the duration of introductions in contemporary Bulgarian pop and rock songs, created between the 90s of the XX century and the 20s of the XXI century. A total of 44 hits from this period and from the previous one were explored. The songs have occupied the first places in the music charts of specialized Bulgarian media. The hypothesis investigated is that there is a tendency for short duration and even lack of introduction in the works. A comparative method and analysis were used to prove or reject this assumption. They confirm the hypothesis of an evolving process of weakening the function of introduction in contemporary Bulgarian pop and rock songs. The study found a new pattern - the minimized form of instrumental introductions led to changes in their content, requiring them to be extremely bright and impactful in a very limited time span. The short and missing instrumental introduction in contemporary Bulgarian pop and rock songs proves to be a new structural technique and a composite tool for aesthetic suggestion. The result of this is manifested in the liking of these songs from the first listen and turning them into hits.
现代保加利亚流行歌曲和摇滚歌曲中引言的时长
本文考察了当代保加利亚流行和摇滚歌曲的介绍时间,这些歌曲创作于20世纪90年代至21世纪20年代之间。这一时期和前一时期共有44支安打被探索。这些歌曲在保加利亚专业媒体的音乐排行榜上占据了第一位。研究的假设是,作品中存在着持续时间短甚至缺乏介绍的趋势。使用比较方法和分析来证明或否定这一假设。他们证实了保加利亚当代流行和摇滚歌曲中引入功能减弱的进化过程的假设。这项研究发现了一种新的模式——工具介绍的最小化形式导致了内容的变化,要求它们在非常有限的时间内非常明亮和有影响力。保加利亚当代流行和摇滚歌曲中简短而缺失的器乐介绍被证明是一种新的结构技术和美学暗示的复合工具。这样做的结果表现在从第一次听起就喜欢这些歌曲,并将其转化为热门歌曲。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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