Making Movies with Song: Movement, Style, and the Invitations of Music

IF 0.3 4区哲学 0 LITERATURE

PHILOSOPHY AND RHETORIC Pub Date : 2021-03-31 DOI:10.5325/PHILRHET.54.1.0028

T. Rickert

引用次数: 0

Abstract

abstract:This essay responds to Alva Noë's arguments that popular musics (rock, country, etc.) organize listeners through style and personality, while other musics, such as classical and jazz, organize listeners on the music itself. Noë's arguments suggest that music is an existential phenomenon, and thus that music is ontological. There is much to like here, including the idea that musics can be existentially different. However, the work of pop musics cannot be confined solely to stylistics and personality; pop also has musical interest, which I explicate as the exploration of sound (3D)—timbre, groove, beat, tonality, texture, and so on. Classical, jazz, and other kinds of music may seek to emphasize the music itself (2D), but they are also caught up in style. Music, I conclude, is rhetorical in how it organizes or "moves" us, and we must attend to all its dimensions, musical and stylistic, in order to understand how so.

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歌曲电影：动作、风格与音乐的邀请

摘要：本文回应了Alva Noë的论点，即流行音乐（摇滚、乡村等）通过风格和个性来组织听众，而其他音乐（如古典音乐和爵士乐）则通过音乐本身来组织听众。诺的论点表明，音乐是一种存在现象，因此音乐是本体论的。这里有很多值得喜欢的地方，包括音乐可以存在不同的想法。然而，流行音乐作品不能仅仅局限于风格和个性；流行音乐也有音乐兴趣，我将其解释为对声音（3D）的探索——音色、凹槽、节拍、音调、质感等等。古典音乐、爵士乐和其他类型的音乐可能会试图强调音乐本身（2D），但它们也会被风格所吸引。我的结论是，音乐是修辞性的，它是如何组织或“移动”我们的，我们必须关注它的所有维度，音乐和风格，才能理解它是如何做到的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

PHILOSOPHY AND RHETORIC Multiple-

CiteScore

0.70

自引率

25.00%

发文量

期刊介绍： Philosophy and Rhetoric is dedicated to publication of high-quality articles involving the relationship between philosophy and rhetoric. It has a longstanding commitment to interdisciplinary scholarship and welcomes all theoretical and methodological perspectives that advance the journal"s mission. Philosophy and Rhetoric invites articles on such topics as the relationship between logic and rhetoric, the philosophical aspects of argumentation, philosophical views on the nature of rhetoric held by historical figures and during historical periods, psychological and sociological studies of rhetoric with a strong philosophical emphasis, and philosophical analyses of the relationship to rhetoric of other areas of human culture and thought, political theory and law.